Friday, September 9, 2016

X-Files Episode Guide: Anasazi

Teleplay by Chris Carter ; Story by David Duchovny & Chris Carter
Directed by R.W. Goodwin

Eventually, even the most loyal X-Files fan will come to view mytharc episodes with equal measures of anticipation and dread; the former because there would be the possibility of revelation; the latter because what one got would eventually become more and more unfathomable and always mired in purple prose. Anasazi, however, would be one of the most glorious exceptions to the rule. It would remind us of the reason we tuned into X-Files in the first place. When TV Guide gave a listing of the 60 greatest finales of all time, this one made the list easily, along with the series finales of Six Feet Under and The Shield, which would be high on the list of the greatest episodes ever. It's not quite at their level, but it's pretty damn close.
Part of the reason this episode works so well is because there is a complete absence of the long and rambling stretches of dialogue, usually handled in voiceover (there is none in this episode). Instead, we are viewing things from an admittedly skewed perspective, much like our hero. Mulder seems off the entire episode----impatient, nervous, irritable (he can barely stand the Lone Gunmen's usual antics when they show up at his apartment). For once, he actually seems like the loose cannon everybody in the Bureau seems to think he is. His punching Skinner in the hallway is only the start of his erratic behavior, and seems to get angrier as the episode progresses. Yet despite how off Mulder seems, given the events of the last five or six episodes, it doesn't seem entirely out of character for him to be raging against the machine. And Carter, for a change, is very subtle in his suggestion that something is wrong with Mulder--- he mentions he hasn't been sleeping well, and we see him drinking a glass of water in almost every scene in his apartment. When we learn that someone higher up has been drugging the water in Mulder's building it makes sense---- and it's actually something of a relief. That's how good Duchovny's performance as Mulder is---- it's good enough that we can tell something might be wrong with Mulder, but subtle enough for us to realize it might not have been.
Then again, the episode does seem to have it's fair share of surprises. The first really big one is the Cigarette-Smoking Man's visit with Bill Mulder early in the episode. We've wonder at the real reasons why no one's tried to kill Fox before, now we see why. CSM has been protecting Mulder out of loyalty to his colleague. Of course, Smoking Man's loyalty to his friends only goes so far--- he no doubt sees how fragile his old friend is, and arranges to have him murdered by Krycek by the end of the next act. It's clear that Fox has no idea at the depths of his father's involvement; this is one of the few things that the mythology will make abundantly clear before it becomes incoherent. This is one of William B. Davis' best and most textured performances, and its own way, it's a landmark for his character as well. For the past two seasons, he has seemed like this mildly threatening, nameless higher, with more implied menace than actual threats. Now we actually see him do something angry and violent, and we get the first real sign how dangerous he can be. From this point on, his evil will always be somewhat measured, as for the next several seasons he will be shown as part of a larger evil which seems to reduce his level of danger.
Despite all the revelations in the Mulder family, its through Scully that we get some of the episode's best bits. This episode puts to rest the last remnants of distrust between the two agents as Scully finally puts to bed whose side she is on when it comes to Mulder vs. the powers that be. Everything she does is to try and find the truth for herself as much as it is for Mulder. She is the one who points out to him that the MJ Files that  are the prevailing forces are encrypted in Navajo. She goes to extremes to proof that Mulder didn't murder his father, and in the most desperate act of their partnership, she shoots Mulder in the shoulder to stop him from killing Krycek, finally giving the FBI the power to put him down once and for all. It's so well put together that it's perhaps the biggest surprise of all is not that aliens are not the biggest revelation, but how close their partnership came to breaking.
And if one wants to point out revelations, well, there's the last act. Mulder is led out into the desert in New Mexico to find a boxcar filled with aliens. But it becomes clear very quickly that, like everything else in this episode, this isn't business as usual. The bodies are stacked floor to ceiling, and from the looks of tem they look as if they have died in excruciating pain. And then we see another key element---- they all have the smallpox vaccination scar on their left arm. Suddenly, this series no longer seems like it is only a show about aliens, but rather something much darker. We recall the moments when the MJ files were first hacked, and that the authorities that were told were Italian, Japanese and German. We remember what they all had in common, and we get a real glimpse at where the series seems to be taking the conspiracy (for now, anyway). Admittedly, the final cliffhanger, where Mulder seems to be trapped in a burning boxcar is one of the few things that doesn't resonate because we know that Mulder has to escaped. What is more important is that The X-Files has opened a new chapter.
The second season has been a revelation, featuring far less of the inconsistency that plagued the show so much in the first season. Duchovny and Anderson have finally nailed down Mulder and Scully, the mythology seems well-developed and actually full of dramatic possibility, and the series has been able to survive the departure (or so it seemed at the time) of the writers who had done the most to lay the foundation of the series. If anything, the writers who have joined the staff this season, seem to have a better handle on things than some of the more senior members. What is perhaps the most astonishing, is that the series actually became even better from this point on.
My score: 5 Stars

Season 2 Average: 3.96 stars

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