Written by Frank Spotnitz
Directed by Rob Bowman
Of the three
writers whose work was vital to the success and longevity of The X-Files that made their debuts this
season,
Frank Spotnitz is the one whose value is the hardest to quantify.
The vast majority of Spotnitz's work would be, like this episode, stories
related to the mytharc, and while those scripts helped secure the series
success, the majority of them would come to feel more and more dated the longer
The X-Files stayed on the air. And
while one can't blame that entirely on him, one can see certain signs of it in
End Game, too.
Like so many of the
first time writers for the series, Spotnitz seems to be trying too hard to jump
into the X-Files. It doesn't help matters that, much like Paul Brown did when
he wrote Ascension, he's coming in with something of a large act to follow.
This is an episode, after all, where having just been reunited with his sister
after twenty-two years, Mulder finds that he has to make a trade with the Alien Bounty Hunter for the life of his partner. Some have made
the argument that this was too big a confrontation to be made at this point in
the series. One can't blame Spotnitz for that---- at this point, the series had only been
granted life to Season 3.
But the series of ordeals that Mulder must go
through in the course of the episode would be a lot for Job to endure. He loses
the woman he thinks is his sister, has to tell his father that, follows up a
lead on her last movements, learns that she was just a clone, is beaten to a
pulp by the Bounty Hunter who (for some reason) lets him live, confronts X and
travels up towards Alaska to find where the Pilot's UFO has crashed, has
another fight with the Bounty Hunter, and nearly dies from hypothermia and
exposure to the alien virus. Yet somehow, he emerges at the end of the episode
telling Scully that he's found the faith to keep looking. Even at this point in
the series, you have to wonder: "Why?" He's just been fed a town of
stories, he has no evidence that his sister is alive or was even there, and
somehow is taking the word of an alien who was going to leave him for dead (They asked what reason would he have to lie.
I would put forth, what reason he would have to tell the truth?)
What makes this
episode a lot easier to like, and in a way, find it more entertaining than
Colony is, not the vast array of 'truth' that we get to take in, but rather the
personal details that make it much better. For whatever reason (and this will
be true for at least the first five seasons of the series) the mytharc will
constant divide our heroes: Mulder will traditionally get all the action
sequences; Scully will have to do all the scientific work, which inevitably
ends up saving Mulder's ass. It's pretty much the story here, too, but this
time, its a lot more direct than that. Scully has been ditched by her partner
more than a few times (hell, it happened in the last episode), but she takes a
far more active role in getting things done. In doing so, she introduces one
part of Mulder's world to the rest of it---- she's summons and meets a very
unwilling X, whose tongue is only loosened when he engages Skinner in an epic
elevator brawl that's one of the high points of the episode. Scully then ends
up chasing Mulder into Alaska ,
and manages to save him from death at the hands of the doctors. Scully seems to
cross a lot of borders with this episode, which is why it will be frustrating
when she heads back to skeptic mode in later ones. This is a fundamental flaw in the story that won't
become much more evident until the series starts getting older.
It's hard to
measure how successful End Game, but one gets the feeling that the parts are
greater than the whole. It depends, however, one what you consider the whole to
be. The whole of the two-parter lands to what is a very satisfactory couple of
episode. There's suspense, intrigue, scary bits, and pretty good acting, and it
makes the abduction conspiracy seem a little more human than it has so far. And
it's given us the first real look at what the aliens X-Files might be chasing. But whether or not it adds up to a lot in
the series as a whole--- that depends on how successful you want to consider
the mythology. Right now, it seems to work, and I guess that's enough for me.
My score: 4 stars.
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