The first time I saw this episode
I couldn’t understand what its purpose was. When I read Season Three of Finding
Lost and found out why people thought it was written, I was annoyed:
as if it was a joke that I still didn’t get. When I learned the real reason it was written, it actually started to irk me
as it seemed a pointless exercise. And now that there have been some major
truths about what was going on behind the scenes of Lost, the reason for
this episode is truly disturbing and speaks to a larger problem that was the
frequent subject of discussion among fans – but somehow never when it came to
the characters at the center of the episode.
Regardless of how you look at it
Expose is not merely a bottle episode, but a pointless one. None of it is ever
mentioned the rest of the season and the consequences are only indirectly
referred to in the final season. The only story that has any resolution is
Charlie’s confession to Sun about his involvement in the staged abduction back
in Season 2 and Sun’s revelation to Sawyer that she knows. Nothing else is
relevant. So since we don’t have to talk about this episode in relationship to
the story, let’s talk about what it means in a larger context.
The first time I saw Expose, as I
said, I was utterly baffled by it. To be
clear I hadn’t paid any attention to the internet about the chatter that was
going on about the hatred of Nikki and Paulo during this season. So the fact that the characters seemed to be
getting an episode devoted to them only when they had died made absolutely no
sense.
As someone who had no
understanding of a ‘meta’ type of episode, I didn’t comprehend what the writers
of the episode were trying to do by having Nikki and Paulo essentially interact
with all the major events of the series but not truly being ‘there’/ Nikki
Stafford compared this episode to Rosencrantz and Guildenstern are Dead
where Nikki and Paulo wonder through all of the major events that are going on
during Lost completely unaware of the consequences. I might be inclined to consider this with more
humor were it not for the fact that, considering what we have seen every other
character on the series do to this point, it’s hard to really see any major
difference between them and everyone else.
Everyone in the series has been withholding what they learn about the
island from the group at large; while Paulo and Nikki may take it to an extreme
in some cases, they’re not that different from Locke not telling anyone about
the hatch or Jack not telling anybody about Henry Gale. Come to think of it, Paulo shows a lot more
sense than Locke and Boone when he sees the plane that will end up killing
Boone in Deux Ex Machina.
I also need to make very clear
that since I had not truly noticed either Rodrigo Santoro or Kiele Sanchez in
any episode other than ‘The Cost of Living’, I had no reason to understand why
they were the subject of such dislike. Even having seen all of the episodes
they appear in; I find it very hard to find why they in particular should be
the subject of such loathing by the fans.
I’ll grant you that their behavior was obnoxious, but it was not much
worse than Shannon could be and Sawyer could be downright offensive in the
first season. Lost went out of
its way to show that first impressions could be deceiving even with the
harshest of the characters; the fact that so many people hated Nikki and Paulo
at first blush honestly says more about the fans then it does the writers.
To be clear their creation was a
sensible idea, one to be applauded. By
now the show had spent two seasons among the survivors and had made it very
clear that only about a dozen of the forty plus people who were alive seemed to
be important. That the series had chosen
to expand its universe but not by going further into the background characters
was something I found flawed in Season 2 and it seemed like a good idea to do
so with Nikki and Paulo. So the attitude towards both of them pretty much at
first sight is something I would not have been able to comprehend even if I had
been reading the message boards. (I have never been the kind of person who
loathes characters that people chose to hate; I could not comprehend, for
example, the hatred of Riley Finn in the fourth season of Buffy.)
The perception of Expose seemed to
be that it was an apology to the fans by killing off these characters nobody
liked in a horrible fashion. And let’s not kid ourselves, there’s something
contemptible about this. Nikki and Paulo spend the entire episode trying to
find diamonds that they have stolen after killing a man. I suppose we’re supposed to find them beneath
contempt for something that brutal, even though that’s by far less of a rap
sheet than Sawyer or Kate have and of course Sayid has done far worse things on
the island. We’re supposed to consider
them selfish because the fact that they spend all their time on the island
looking for their ill-gotten, worthless gains makes them shallow. I guess it does, you know, compared to Kate
using Jack and Sawyer to open a marshal’s case so she can get a toy plane, but
we like her so fine.
But to be clear, they didn’t kill
each other. They spent the last eight hours of their lives paralyzed and unable
to talk while everybody else on the island talked about them and over them
granted them no respect or dignity. (They
don’t even bother to give Paulo a last name and the only reason Nikki does is
because she’s in the script for the show.)Then Hurley gives what is a truly
lame eulogy and no one bothers to even to stay around while he and Sawyer start
to bury them. And then the two of them regain consciousness just in time for
Hurley and Sawyer to bury them alive. None of the Others get this cruel
a death.
If this were to have served as an
apology to the fans, it would have been worthy of contempt. (For more reasons
than Nikki and Paulo, which I’ll get to in a second. ) To be clear, that wasn’t
why the episode happened. In The Revolution Will Not Be Televised, the writers were unaware of the fan loathing
and in fact Nikki and Paulo were killed off because they hated them as
much as the fans did. This actually makes the episode seem even more
mean-spirited. Background characters had made appearances and then
fundamentally disappeared (ask a Lost fan about the Scott and Steve
mystery if you want to go down a rabbit hole) so the decision to kill them off
was petty. To do it this way actually seems sadistic because it seems like the
writers are being cruel towards something they don’t like.
And to be clear, viewed this way
Expose actually looks worse. Much of what the rest of the survivors are doing
in this episode is speculation and theorizing, coming up with ridiculous
theories and shooting them down. In other words, they’re stand-ins for those of
us who watch the show. Which means the
fans have basically spent the entire episode talking about everything except
the subjects of the episode themselves, not even noticing that the people
they’re talking about aren’t dead. Then they finish killing them off and walk
away without a second thought. It’s hard to know if this is some kind of
in-joke from the writers at the fanbase, but if it is, it’s hard to consider
this a love letter.
And now we get to the core of the
issue. Even before the recent revelations about the often hostile behavior
towards women and people of color, fans have spent the last decade pointed out
that by far the women and people of color on this series got the shortest shrift
by the writers. Kiele Sanchez and Rodrigo Santoro are, to state the obvious, a
Latino woman and a Latino man. Somehow are accusations of racism and sexism
always seemed to stop short with characters we hated.
Some part of me wonders if any of
the fans of the show saw it themselves. Did Nikki Stafford, an enlightened
writer by any sense of the word, think that when she wrote all those nasty
comments about Nikki and Paulo, not just in Season Three but every time she
took a swing at them for the rest of her writing? Did Nikki and Paulo in a
sense die for our sins?
And here’s something I seriously
doubt any fans of the series knows. When Lost ran in certain syndicated
runs, several episodes were cut from the repeats, the lion’s share of them from
Season 3. This never made much to sense to me with a story where every episode
of the story is vital to the plot of Lost. It was not until years after
the fact that I realized which episodes were cut. And having put it together
with recent revelations, there’s something even more troubling about it.
The episodes that were cut were
The Glass Ballerina, Further Instructions, The Cost of Living, Stranger in a
Strange Land, Tricia Tanaka is Dead and Expose. (I’m pretty sure they cut
Catch-22 and I can’t understand why.) With the exception of The Glass Ballerina
and Stranger in a Strange Land, all of these episodes feature Kiele Sanchez
and Rodrigo Santoro. Since actors
receive residuals based on reruns of episodes, it now seems like they were
removed so the producers of Lost would not have to pay Sanchez and Santoro. The fact that Nikki and Paulo killed each
other out of greed now seems far more ironic giving that their episodes were
removed for a similar level of selfishness.
These cuts actually speak to
another sign of racism as Further Instructions and The Cost of Living were the
only episodes that Adewale-Akinnouye-Agbaje appeared in during Season 3. No matter why he chose to leave Lost the
writers did not want to pay him any more money than they had to.
So when it has been decided that
Nikki and Paulo are the worst aspects of Lost altogether and that they
deserved their deaths, I will never be able to jump on that bandwagon. Nikki
and Paulo may have represented the worst aspect of humanity but everything that
surrounds their death on Lost –
the toxic backlash of the internet fandom, the horrid treatment of performers
by writers, the problems that actors of color face to this day – is equally
upsetting. And the fact the writers chose to do spend all of this time and
energy just killing characters they had no use for instead of solving some of
the mysteries on the show leaves a sour taste in my mouth. I might not be able
to ever praise them, but they sure as hell deserved more than to be just
buried.
Next week, we get back on track in
a big way.
VHS Notes: During this episode I
saw advertisements for the DVD release of The Good Shepherd, Robert
DeNiro’s movie about the founding of the CIA. It was never a masterpiece the
way so many films of 2006 were but I always admired it. I also saw an early
promo for Spiderman 3. Ah the days before comic book movies were
considered franchises.
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