VHS Notes: There will be less
information on ads for TV shows as there are for previous seasons because of
the 2007 WGA strike. By the time Season Four premiered on January 31st
2008, the strike had been resolved. However because of the strike almost
all scripted series had stopped filming well before that period. Lost had
only completed eight episodes when the stoppage began the previous October (and
we’ll get to the ramifications later) and by the time of the season premiere
the only shows that were still airing new episodes on ABC were Eli Stone and
Brothers & Sisters and the latter would run out of episodes in late
February. Most of the ads of this period deal with reality shows that were
filmed to fill in the gap and quickly discarded later on; I suspect the Dancing
With The Stars spin-off Dance Wars and Oprah’s Giveaway (which
air promos in this recording) would not have been made under any other
circumstances.
Similarly because this episode
aired In February while there are ads for the Academy Awards, there are few ads
for films of merit. The most interest commercial is for the DVD release of American
Gangster a superb film that earned Ruby Dee an Oscar nomination and a SAG
award for Best Supporting Actress.
You’d think an episode where we
learn that Sayid is not only one of the Oceanic Six but seems to have returned
to civilization a ruthless assassin would be the biggest revelation of The
Economist. There are, as always, more to be had, particularly in the final
minute of the series which is one of the biggest shocks in series history.
After starting out the first two
seasons as one of the most dominant characters in the entire roster, Sayid
spent much of Season Three not nearly being utilized to his full potential.
Considering that so much of his arc in Season Two was about his hatred of the
Others and Season Three dealt with them by far the most to date, this was one
of the biggest flaws of the third season. The show more than makes up for it
from this point on in the second half of the series Sayid becomes integral to
the show in a way he hasn’t been and his arc, always one of the saddest on the
show, becomes arguably the most tragic of the cast. Naveen Andrews said in
interviews during Season Four that he was thrilled by the change in direction,
and it can be seen in every aspect of his performance not only in this episode
but the rest of the show: Andrews would never earn another Emmy nomination for
the rest of Lost’s run but every season he dominates the screen every
time he’s at the center of the action.
On the island Sayid seems to have
taken a role of leadership he hasn’t in a long time. He’s loyal to Jack but he
is harboring suspicions that Locke might be fundamentally correct about the
stories the freighter folk are telling them. He decides to get on the
helicopter as much to get answers as out of hope for rescue, and as we’ve seen,
he’s willing to do whatever it takes. He decides to make a deal with Frank that
if he returns Charlotte, he’ll get passage back to the freighter.
(In Finding Lost, Nikki points out
that Frank’s exact words are: “he will take Sayid off the island.” She points
out that this could just been dropping Sayid in the ocean. I never bought that
at the time because even in just two appearances Frank sems more honest than
Ben ever was about anything. That may be a low bar, but it is worth noting in
this case and practically every other one going forward, Frank is a man of his
word.)
Sayid also knows that Jack can’t
be trusted to go on this mission, and his terms are very diplomatic about what
Jack did the last time he saw Locke. Sayid’s reaction was angry but he
restrained Jack from doing what he did, and we know Sayid who is far more
capable of violence would have been more diplomatic. For all that Jack says
about Sayid not being a diplomat, he’s always been more measured in his
approach than Jack or Locke has been, and his experience in interrogation helps
him lure people into a false sense of security. Miles clearly thinks he’s going
to have to threaten Sayid to take him with him and when Sayid immediately
acquiesced, his bluster collapses immediately. When they are walking to the
barracks Sayid’s manages to get to the core of Miles far better than anyone
else - though it’s worth noting that Miles is the only one of the freighter
folk who everybody seems to view with hostility. (When Sayid returns with
Charlotte but not Miles, Frank seems more amused than betrayed about the
treachery.) And he tells Miles the truth about the ‘fundamental conflict’ in the
group and does not give away his position one way or another.
Miles’ approach throughout this
episode is of the arrogance we saw before. He treats everybody with complete
disdain and gives no reason for why he wants to go get Charlotte since he
doesn’t care about her. We are quickly getting the sense that everybody on the
freighter has their own agenda and that all of them are keeping their own
secrets. In the case of Miles his agenda gets him into one that he ends up a
hostage, and though he will try to make it seem he’s in control in the next
episode, not long after he begins to realize that he is in over his head. It
won’t do much to affect his snark – and frankly there’s quite a bit in this
season where we think his agenda may be hurting people – but he’s going to
realize that he might have been safer if he’d stayed with the chopper.
That’s not to say that things are
going much better in Locke’s group. We’re already beginning to see the doubts
in what Locke is doing and he’s clearly at a loss when he goes to where the
cabin was and nothing is there. Ben’s remark that ‘John’s looking for someone
to tell him what to do’ is dead on and everybody immediately senses it. And it
begins to show in his own behavior as a leader right away. When Hurley begins
to raise pertinent questions, Locke – who would not have a group to lead
without him – immediately begins to bully him. I actually find it hard to
believe that Hurley would willingly go along with Locke’s plan, and based on
his attitude when Sayid, Kate and Miles falls into his hands, it’s clear Hurley
was never truly on board with it.
I have to say, however, that I
would have taken Ben’s side on the wager. Sayid is always more savvy about not
taking things at face value; we’ve seen him do it on the island over and over.
It’s only because Hurley is incapable of deception that his guard goes down and
he ends up falling for it in the first place.
And it’s worth noting that Jack
manages to outsmart himself when it comes to asking Kate to go with Sayid. As
it turns out Sayid is perfectly capable of manipulating Locke to give him what
he wants with no assistance from Kate at all. The two of them have a civilized
conversation even while one is holding the other prisoner and Locke has no
problem accommodating Sayid when he hears his terms. Jack as we know doesn’t
like being left behind and clearly thinks Kate will do what he tells her and
he’s willing to use Sawyer’s attraction to her as a weapon.
I don’t know whether Kate changes her mind after she sees Sawyer at the
barracks or if she’d always planned to stay once she got there but as we all
know Kate has always been a protector of her own interests. That said, it’s
worth listening to their conversation. Sawyer makes it very clear that he’s not
with Locke and we’ve already seen enough scenes between the two of them to know
that he doesn’t trust Locke more than any one in Jack’s group. When he tells
Kate something that frankly someone should have pointed out at least two
seasons ago - that the only thing that
Kate is going to find if she gets rescued is a life in jail – she actually
seems to take him seriously. (Admittedly that idea is spoiled by what we ended
up seeing in Through The Looking Glass, but we’re still not sure how that
happened yet.)
The flashforwards are where
Andrews truly shines because, just as we’ve seen with Jack and Hurley, there
doesn’t seem to be any happy ending for Sayid when he is rescued. We see him
cold bloodedly kill a man we don’t know but he seems to in the opening
flashforward. In the three that follow we see Sayid encounter a woman named
Elsa, who claims to be a personal shopper for someone who we only know as an
‘economist’. Sayid spends the next several weeks and months in a long con to
get to Elsa’ employer but it’s clear in hindsight that he too is being conned
and doesn’t know it – or refuses to let himself.
This episode reminds us very
clearly what we might have forgotten when Sayid became less prominent in Season
3: Sayid is a capable of deep love and humanity and also a cold brutal killer. He
has never been able to reconcile those two parts of his nature and far too
often, his capacity for love can stop him from seeing the obvious. Sayid has
spent weeks, possibly months, conning Elsa so that he can learn who her employer
is. The moment she suggests that she loves him, he completely forgets
everything he’s doing and is determined to tell her the truth. When the pager
goes off, he decides to do the same and is so blindly by her despair at his
betrayal that he lets his guard down and she nearly kills him. And because we
have seen that Sayid is capable of turning on a dime, less than a minute later
he kills her. It’s clear it hurt him to do it – there are tears running down
his cheek, and just as he did with Naomi at the start of the episode, he closes
Elsa’s eyes – but he does it just the same.
Yet that is by far from the
biggest shock. Throughout the episode we have wondered why Sayid killed the man
at the golf course and why he has decided to kill the Economist. All he tells
Elsa is that ‘his name is on a list’ as well as that he has a boss. And then in
the final minute when he‘s getting his wound treated, we see that boss – and
it’s not just because we now see that Ben is off the island that causes the
viewer’s collective heads to explode.
Not since the two of them met
nearly two seasons ago has Sayid trusted Ben Linus for a moment. He seemed to
have bonded with Juliet over the fact you can’t trust Ben about anything and
when the two of them are in the same cell, he still shows nothing but contempt
for him. So the idea that Sayid would be willingly working for Ben is
incomprehensible to us. In the final scene it’s clear Sayid has nothing but
contempt for him and Ben’s words that “do you want to keep your friends safe?”
would seem reasonable from anybody but him. In a scene with Locke, Sayid
tells Ben the day that “the day I trust this man is the day I sell my soul.”
The question is now, what was the price of his soul? We already know it can’t
be for a good reason and when we learn the truth, it will utterly break our
hearts in two.
That’s for later, and right now we
have more pressing concerns. Some of them seem to truly be what do the
freighter folk know about anything. When Desmond comes to see the helicopter
and shows them the picture Naomi has of him and Penny together, Frank deflects
as to why. He refers to her as ‘senior management’. Considering what we heard
Abaddon tell her about how important it was this team got to the island, you
would think she would have willing to brief them as to why. We’re going to find
out very soon that almost everybody on the freighter has been told a very
different story about why they were sent on this voyage in the first place. Given
what we find out when we get there, it quickly becomes clear that none of them
were remotely briefed about what they signed up for.
Dan seems to at least have an idea
now that something is very odd about the island. He performs an experiment
which for the first time indicates that there’s something strange about this
island beyond what we have seen on it. When the payload arrives more than half
an hour after it was supposed to get there, none of us know what it means but
Dan seems to have an idea of the consequences. When he tells Frank before he
goes on his return trip, he makes it very clear that he must follow the exact
bearing he took to get to the island and not make the slightest deviation from
it.
We’ve already seen signs giving
how Naomi’s helicopter crashed and the electrical storm that nearly brought
down this one that it’s never an easy flight to the island. This episode is the
first one to make an argument that time seems to have something to do with it.
This will be a major theme in the next two seasons and make it fundamentally
clear what the genre of Lost exactly is.
At this point we now know that the
people on the freighter have come for Ben but we’re not sure why or who has
sent him. It’s also becoming clear (though we never find out this mystery) that
despite the rules that no one can leave the island, Ben has been violating that
rule for a while. We know that Ben has enemies but they’ve all seemed to be on
the island. Who did he piss off when he went to the mainland? There’s a good
chance that Dan and Frank know this but are deflecting. When Desmond asks if
they’ve heard the name Penny Widmore, the two of them look at each other but
pointedly don’t answer. It’s going to become clear very soon why they’re lying.
At the end of the episode Sayid
and Desmond get on the helicopter with Frank. As they fly off the music soars
and Sayid looks over the island as it disappears into the background. It should
be a moment of triumph. But even if Sayid doesn’t know what the future holds,
you can see in his face while the helicopter is flying away that he doesn’t
know what awaits him on the freighter but he’s not convinced its anything
resembling rescue. The flashforwards make it clear that he will get that, but
salvation seems to be something he will never get either.
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