Earlier this month, the CW turned
10. That it has managed to exist nearly as long as the networks that merged to
create it - the WB and UPN - is something of a miracle, considering how much it
was staggering as recently as four years ago. Only with the advent of cable and
the fragment of the broadcast networks would it have managed to survive this
long at all.
But something rather extraordinary
has happened as the network has grown. Its series, originally little more than
fragments designed to accept certain niche audiences, have changed. The CW,
once a network focused almost completely on the teenage and twenties audience
has grown up. And though a lot of its series are based on some superhero
franchises, a lot of its series have become more and more daring, leaving room
for some of the most brilliant and experimental series that have been on
broadcast TV in a long time. (However, the network does have one thing in
common with its predecessors: the Emmys seem determined to pretend it doesn't
exist).
To look at how the network has
changed, we have to look at some of the programs that have been in its stable
for some time. Which means focusing on the showrunner who currently commands
40% of the networks real estate, and will have a fifth series appear in 2017:
Greg Berlanti.
Admittedly, the superhero franchise
has gotten excessively tired. Once something that the network jumped on for hit
TV, it has now become almost exclusively the province of the CW. There's a
pretty good reason for that: Berlanti seems to be the only writer who
understands just how much of an outsider so many of these heroes are.
Unfortunately, network TV's desire for huge audiences doesn't seem to meld with
Berlanti's vision. Last year, when CBS purchased the rights to Supergirl, one got the feeling that CBS
wasn't entirely sure what it had invested in. The series had moments of
greatness in it, but for the most part, it seemed a pale imitation of the other
shows that Berlanti was running on the CW. As a result, the audiences were
never quite big enough for the Tiffany network, and it went to CW after CBS
gave up on it in April.
The CW's version of Supergirl feels a bit different than the
one we got on CBS. For one thing, like much of the CW's schedule, it's shot in Vancouver
instead of Hollywood . For another,
it seems to be trying to do what the other Berlanti series have done, and
narrow its focus a little. Much of Supergirl's
problem on CBS was that it seemed to moving, well... faster than a speeding
bullet, a little too quickly for its audience to catch up on. And in trying to
be its own series, it pretty much ignored much of Supergirl's universe. The CW
version fixed that part very quickly, by finally having Supergirl's more famous
cousin, Clark Kent ,
alias.. well, if you don't know, this series wasn't for you anyway. And as
Superman began working with his cousin, it managed to get one of Berlanti's
bigger strengths, looking on the people on the outside.
A lot of the problem of the series
was trying to find a way to make the other characters work: Alex Danvers
(Chyler Leigh) Kara's foster sister started out like gangbusters, but than was
pushed back a lot. Now, seeing her sister bond with a fellow Kryptonian to the
point where she was beginning to feel left out was actually something more in
the Berlanti-verse. It gave her more emotion than she demonstrated in the last
half of Season 1, and seems to be pointing her in the right direction.
The series is also giving more
range to some of its other characters. Winn, a foster child who worked at CatCo
along with Kara had some interesting moments but ended up more in the
background then he should've. Now, he's moved to working in the DEO, and is getting
more into the valuable science geek that has been a critical part of Berlanti's
world ever since he started with Arrow.And
now, they seem more convinced to work with the comics world than they were
comfortable with on the CW: the first two episodes featured the appearance of a
member of the Luthor family, and the develop of John Corbin, aka Metallo.
Clearly, Berlanti is slowly getting back into his comfort zone again.
The series, however, is still
struggling a bit with the life of Kara Danvers (Melissa Benoist), Supergirl's
alter ego. After a year of trying to mix her work life and secret life, she
finally seems to be heading in the right direction careerwise, beginning a job
as a reporter at Catco. On the one hand, her new boss, Snapper Carr gives Ian Gomez
the possibility to play against type. But on the other, Cat Grant (Calista
Flockhart, who was one of the few more interesting characters through the CBS
run) is no longer going to play a critical role in her career. (Flockhart has
been regulated to guest star status.) It's still not clear whether this new
path will work.
Supergirl
still isn't at the level of Berlanti's other series. But for the first time
since early in Season 1, I feel that there's a possibility that they might get
in the right direction. The action is better, and more importantly, the
characters are more interesting. Hopefully, we'll finally find Supergirl
heading forming a League of her own.
My score:3. 25 stars.
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