Written by Howard Gordon
Directed by Jim Charleston
One wants to give this episode more
credit than it deserves, but the sad truth is that this is simply one of the
more unimaginative and pedestrian episodes of the series. One wants to give
Gordon for not falling back on his old staple of paranormal revenge, except
that in doing so he blatantly steals the basic idea from one of the founding
episodes of this series.
Because what this episode resembles
is a rip-off of Eugene Tooms, both in basic principle (Samuel Aboah kills for
melanin, Tooms for livers) and it basic foundation (Aboah turns pale when he
needs his fix, Tooms turns jaundiced) and both had the ability to squeeze
themselves into really tiny places. Now there's room for variation on this
theme, if its done well, Jeffrey Vlaming demonstrated a certain imagination
with Virgil Incanto in 2Shy, and we'll see another, much better variation of it
later this season. But Gordon doesn't seem to have the fundamental ability to
go into deeper meanings of what it means to drain the pigmentation of a black
man.
That's the thing that Gordon
doesn't have the strength to deal with. Given an opportunity to take a look at
race, or among the principles of immigration, he instead opts to take the
direction of so many weaker first and second season episodes of the series, and
simply tell the story of the teliko as though it were nothing more than an
African myth made real. Thus what could have been an interesting story devolves
into a story like Shapes or Red Museum ,
detached and apart from so much of the modern world. And it's not enough that
he does this, he tries to give this story something a conspiracy flair where it
doesn't belong--- he changes the title phrase to 'Deceive, Inveigle,
Obfuscate', and has Mulder and Scully keep repeating it for no real good
reason, he has Mulder and Scully try to give it more urgency by passing over
the question of why Aboah would come to America in the first place, he has
Mulder meet with Covarrubias for reasons that don't seem to give the show any
sting. It doesn't seem to have the urgency of one of X's visit or Deep Throat's
pronouncements; it just seems that Mulder is trying to get a date with the
pretty blond chick who works at the UN.
And what makes this such a shame is
that there are some very good African American actors presents given roles that
could potentially have great power that are essentially wasted. Carl Lumbly,
one of the more gifted black actors, is given the wasted role of a social
worker, and the script can't decide whether he'd be better served as an
advocate for Aboah or a victim of his---- so it has him be both and neither.
Zakes Mokae, a truly legendary African
actor has a great deal of majesty in his presence, but in this episode he's
basically just given the role akin to a tribal elder and one can't help but
feel the wasted opportunity. The music doesn't help either, with Mark Snow
demonstrating, not for the first time, that his ability to produce interesting
music from another culture is essentially nil.
Now don't get me wrong. There are a
lot of dreadful episodes in X-File lore, and this one isn't even close to that
horrible. It's not even a series worst for Gordon, who was in the middle of the
pack as far his ability to write for this series went. But basically Teliko
doesn't have anything new to say and isn't delivered very interestingly. It
doesn't even have the ability to be as painful as some of the other episodes
this season will be. Its a monster-of-the-week episode that doesn't even bother
to create an original monster. its a refreshing change of pace to have Scully
save Mulder's life instead of the other way around, but considering that whole
episode seems to come down to whether she can read the message in his eyes
doesn't say much for the writing. We'll see worse episodes for the series, but
very few as with as little ambition as
this one.
My score: 2 stars.
No comments:
Post a Comment