Written by Kim Newton
Directed by Kim Manners
The process of
doing a rewrite of an episode involves so much inside baseball that I have
chosen to basically ignore it for The
X-Files (and indeed for most of the series I have reviewed anywhere) I
generally think that such things add little or no enjoyment to a show. However,
when it comes to Quagmire, I will make an exception, mainly because there are
rumors, hinted in two books on the series, that Darin Morgan did an uncredited
rewrite for it. And rewatching that episode with this thought in mind, there
seems to be overwhelming evidence that this is the case.
First, there is
the presence of QueeQueg, the Pomeranian that Scully inherited after Clyde
Bruckman and was seen caring for in War of the Coprophages Since both episodes were Morgan's creation,
it seems only natural that he would bring it in to kill it off.
Second, there
is the presence of Stoner and Chick, the two young druggies we saw getting high
off methane fumes in Coprophages, and are seen here trying to get high licking
toads. Once again, they manage to avoid the fatal passing of their friend. (The
writers wanted to bring them back as recurring characters, but never got around
to it. I don't blame them--- they're entertaining but not that fun.
Third, there is
the camerawork and shooting for many of the death scenes, which are done much
in the way that the victims in Humbug met their end. (Admittedly, this may be
more of the work of the director, but Kim Manners did work on both episodes.)
Finally, of
course, there is 'the scene'. Mulder and Scully go out into the lake in the
middle of the night, and their boat is sunk. The two of them end up dripping
and nervous on a rock an unknown distance from shore. So the two have a seven
minute conversation, in which they talk about some of the things that are
important to them. Scully compares Mulder's search for 'the truth' to being as
fanatical as Ahab's search for the white whale, Mulder's talks about his need
for a definite need to find something,
they discuss Moby Dick, and Mulder
relays his childhood wish for a peg leg. It's a microcosm for everything the
X-Files stands for, and even though it may have started out as nothing more
than filler, it plays and sings as beautifully in a way that we have come to
expect from our old friend Darin.
Now, you may
expect I am wasting an awful lot of this review on speculation as to who really
wrote this episode than whether or not its any good. Well, its not practically
perfect in the way all of Morgan's writing was, but its really, really good.
This is the series as how it seems to the outside viewer, Mulder and Scully as
a couple with a dog, trying to explore the myth of a prehistoric monsters
dwelling in a Georgia lake, known tranquilly enough as 'Big Blue'. It's absent
the darker overtones that we can sense in Morgan's work (and indeed, in much of
Season 3 in general), but after going to some of the really dark places this
season, it comes as something of a relief. This is just the series trying to be
delightfully fun and serious at the same time, the way so many later attempts
at comedy will try and mostly fail at later on.
The characters
aren't drawn as well as so many of the other characters we've met this year,
but for once, that's part of the point; they're basically meant to be monster
food. The sheriff right out of Jaws, the biologist who is concerned about the
wrong major ecological disaster, the photographer who's spent his life trying
to find Big Blue, and then dies at its hands---
it plays more like frothy comedy. (This is one of those things that I
don't think Morgan had much to do with; there seemed to be a darker side to
their ends, even as we laugh.) There's also a gentleness to this episode that
makes us actually mourn for a dog that's barely had any existence in this
series, and something rather sensitive that Scully, given all the horrible
things that have happened to here the past couple of seasons, is still capable
of being shaken up after losing her pet.
Perhaps, like so much else, it goes back to her father.
Quagmire isn't
perfect the way Morgan's other creations have been, but there are moments of it
that glimpse those peaks. It doesn't have the best reputation, but like the
case of so many other episodes, you wonder why. Whole seasons of the series will essentially written dealing with some of
the issues and the center of 'the scene', but they will do it as succinctly and
concisely as they do here. And the idea that even after we find the threat, the
truth that Mulder is seeking is still out there after all, has a pleasing tone
that doesn't exasperate when the agents just miss getting the inevitable. One
wishes that Kim Newton had decided to stay with the series a bit longer, as she
seemed to have a slightly better handle on the heroes than other Season 3
writers have. Even if Darin wasn't around to lend a hand, she still seemed to
understand what The X-Files was all
about.
My score: 4.25 stars.
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