Written by Valerie Mayhew and
Vivian Mayhew
Directed by Kim Manners
Ewww.
A few weeks ago, we visited the
extreme grotesquerie of Home, and I thought that its darkness and gore made it
one of the more powerful episodes of the series. Now, we have Sanguinarium (and
oh, if you know your Latin, you know just what this title implies) examining
the extreme bloodbaths of a plastic surgery ward, and while the level of gore
isn't that much greater, the effect is somewhat more revolting--- and more to
the point, less effective dramatically. (I don't why Home was taken out of
syndication, and this one never has. Maybe it's because incest trumps
liposuctions).
Maybe the other reason is the
authors are far less experienced at trying to make comparison. Morgan &
Wong in Home were taking on some of the more virulent strains of American values, but they'd been doing this so
long and so well, that the satiric tone seemed to play better. One would be
hard pressed to argue that vanity and personal appearance have now become the
more advanced American values, but the Mayhew sisters don't seem to be
interested in following those same tangent. So they try to cover their basis by
throwing this under the idea of demonic possession, with a side of witchcraft
thrown in. What they seem to be more interesting in dealing with is gory
set-pieces, and while the teaser is shockingly effective, the more we see of
it, the less effective it becomes. By the time Dr. Franklyn is peeling his own
face of with a scalpel, its all but become a running gag (emphasis on 'gag')
There's also the more important
fact that Mulder and Scully are practically useless in this episode. It's
ironic that the staff of this surgery clinic worries about how the FBI's
appears will bring ruination upon the hospital, in actually, they can do nothing to stop the blood rituals that Dr.
Franklyn has invoked. They basically go from death to death trying to catch up,
and they never accomplish anything. At this point, its probably ridiculous to
blame X-Files for having episodes
where our heroes accomplish nothing----- but for them to figure out who is
behind the deaths, stop him at what appears to be the final moments, only to
have him slaughter one last victim who just happens to have the same birthday
as Halloween, seems too big of a coincidence to let go. (And if that death was
the one he had in mind, why did he carve Dr. Shannon's name into the pentagram
with the other victims? This is the kind of flaw in the writing Morgan & Wong would have been
able to spot in advanced. Once you've foiled the villain, there isn't much
point to seeing that he gets away with it anyway.
At this point, the more obvious
flaw comes from the writers--- the Mayhew sisters were writing their first and
only script for the series--- and clearly they had only the vaguest of ideas as
to how the series worked. (A couple of years, they would have a completely
different view as to witchcraft when they helped create the hit series Charmed.) They have the ideas of what
the crimes involve and there's definitely some interesting set pieces---- the
idea that the practicing witch in the story is actually on the good side is an
interesting quest, but since her craft takes the form of the clichés we have come to expect that,
its hard to see her as much of a hero. It's also never explained how exactly
Dr. Franklyn managed to make her choke up hundreds of pins when she was trying
to tell Mulder and Scully whose behind this. Both Richard Beymer and O-Lan
Jones give very good performances, but neither is allowed to act much out of
the caricatures they are being forced to play in.
Admittedly, there are some good
bits on display here---- Mulder pointed to the broomstick on Nurse Waite's
porch, and saying 'probable cause?' And
the way that Mulder finds himself reconsidering his own vanity on the surgery
ward shows that he seems to still be considering this place for a nose job. But
unlike the laughs we got in Home, which were more a need for relief from the
horrors that were on display--- the few we gets seem to be even more out of
touch than usual. They feel like jokes for the sake of jokes, and these writers
don't have the same track record as some of the better comic writers.
Ultimately, Sanguinarium is just a
messy episode that seems to be trading on the series penchant for darker and
more unsettling set pieces we've getting this season. Only like quite a few
episodes this seasons, the setpieces don't hold up very well for an actual
story. The overall effect is one of just
bloody confusion that provides few scares and fewer laughs.
My score: 2.5 stars.
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