Written by Jeffrey Vlaming
Directed by Tucker Gates
Unlike the
previous episode, which has a deservedly lousy reputation, this one has been
maligned by most die-hard fans of the
series. It's easy to see why---- for one, strictly speaking this isn't an
X-File at all. There aren't any real supernatural elements, and it becomes very
clear early on that despite the trappings of the editing, there's precious
little suspense as well.
Most of the
episode plays as a strictly procedural drama, much like Grotesque. What makes
it harder to take is the fact that we examine the entire thing from a remove
that comes from being an outsider--- Mulder and Scully are clearly never fully
comfortable around any of the participants in the drama, and the viewer is kept
at a remove because of the Chinese dialogue, only some of which is subtitled.
Once again, our heroes are met with extreme skepticism by their fellow law
enforcement officers, but for once this has nothing to do with Mulder's bizarre
theories. Detective Chao (one of the first truly measured performances by B.D.
Wong on TV) views them with disdain because they are outsiders to a world with
which he shares a common language but little else, and while they are just
traveling in this world, he has to live in it. The fact that we later learn
that he is himself corrupted by the unsavory elements of the story does not
make his statements any less true.
Then there's
the fact that the story at the center of an episode---- a lottery where money
is promised in exchange for body parts---- is even more unsettling a concept
than some of the so-called paranormal elements of the show. This continues to
tap into a theme that has been recurring throughout the season of the
supernatural being a cover for something far more mundane but no less horrible.
The 'ghosts' that torment the victims of the lottery are flesh and blood, but
the real frightening part is the utter coldness and corruption that surround
the game itself, and how accepting the participants are, even when the bad draw
costs them their eyes or their livers. When the game is finally revealed to be
fixed, the outrage that the participants feeling is a frightening and angry,
but when the American authorities lay siege, they run into a wall of silence
that is even more frightening than the idea of the game. The consequences of
the game are as frightening as any X-Files, but the fact that Chao feels no
outrage about the game itself, and only that it is fixed speaks volumes to the
insular nature of the game.
It's a
frustrating episode in some way, because Mulder and Scully seem unwanted from
the start, are dogged by their colleagues, and eventually to seem to accomplish
nothing. We're also robbed of any real setpieces are spooky moments (with the
possible exception of a frog emerging from a dead man's chest) to give us any
familiarity. That doesn't change the fact of its effectiveness, mainly because
we're almost certain something like this is based on a true story. (It wasn't).
We also some familiar faces--- in addition to Wong, we also see the formidable
cameo by veteran Chinese character actor James Hong, who has such presence that
one could almost see him doing William B.
Davis ' work,. And there is a
very early appearance by Lucy Liu (so early she was still using her middle name
and a still very present accent) in the small but vital role of Kim Hsin. At
this stage of her career, she was still playing soft, almost maternal roles.
And while the fact that there is a fair amount of dubbing involved in many of
the performances, in a way this adds to the level of the disconnect, which
frankly helps the episode.
As I said, Hell
Money is not a popular episode, and probably wouldn't be, even if there were
more trappings of the paranormal. But it taps into several overriding themes of
the third season--- that of the supernatural being used as a cover story for something far more human and
horrifying, and that of the overwhelming darkness that has been pervading the
show in general, even the non-mythology ones. While its never going to be
regarding as a masterpiece, the fact remains that it's one of the more
undervalued pieces of a very strong season..
My Score: 3.5 Stars.
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