There have been few
actresses who have adapted better to the rise of streaming than Natasha
Lyonne. After shooting to superstardom
as a teenage actress in American Pie and building a superb indie resume
in such marvelous movies as Slums of Beverly Hills and But I’m A
Cheerleader, she spent the next decade being a part of some superb films
but never so you’d notice. Then in 2013 she was cast in Orange is the New
Black as Nicky and she’s never looked back.
She stayed with the
series for its entire run, receiving an Emmy nomination for Best Guest Actress
and sharing in the SAG award for Best Ensemble twice. Then in 2019, she officially
became a hyphenate in one of the most dazzling productions of the last five
years Russian Doll. Playing Nadia, a New Yorker who on her 36th
birthday finds herself dying over and over and watching the world begin to erode
around, Lyonne created one of the most dazzling
works of genre-busting TV that even Peak TV is rarely capable of. She was
nominated for writing, acting and producing the series in 2019 and would doubtless
have gotten more attention had she not been nominated the same year as another
equally astonishing women hyphenate Phoebe Waller-Bridge received the recognition
she justifiably deserved for Fleabag. The pandemic and subsequent lockdown meant it
was nearly three years before the second season of Russian Doll aired,
but it was more than worth the wait as Nadia found herself traveling through
time, trying to right the wrongs that were done to her by going back through
her mother’s and grandmother’s lives. Few images have stuck with me more than
Lyonne striding through the streets of 1980s New York, wearing a duster with a
cigarette dangling from her lips, utterly unfazed by the weirdness around her.
Even the fact that she
had been cast as the lead in yet another series was not quite enough to
initially make me subscribe to Peacock. I did what I usually did, tried to
track down DVDs of her series on eBay, but it increasingly became a fool’s errand.
So last month, I decided to see how much of a headache it would be to subscribe
to yet another streaming service, and when it involved less of a headache than
it occasionally takes me to get on Apple or HBO Max, I paid the $5 a month to
get it. Even then I might not have bothered if it now didn’t seem like a near
certainty that her new series Poker Face as well as Lyonne, are likely
to be major contenders for Emmys next month. Having seen the first two episodes
Lyonne certainly deserves it if I not yet made judgment on the show.
Poker Face is ostensibly a procedural
but its basically a love-letter to Lyonne’s incredible talent. One of the
things I loved so much about Russian Doll was that Lyonne essentially was
able to handle such complicated matters as time travel and time loops with the
utter blasé attitude that one fundamentally expects of a Native New Yorker; I
actually suggested after Season 2 that I could see her playing the next
incarnation of Doctor Who and I’d be fine with it. Now Lyonne is essentially playing
Columbo in everything in a series that creator Rian Johnson all but admits
mugs it unabashedly: even the credits
are filmed in a font that was used for Columbo when it first aired on NBC in
the 1970s. The major difference is that Charlie Cale is not a detective and
indeed doesn’t really want to solve the murders she keeps getting involved in. If anything,
spending time trying to do so is actually making her life harder – and put her
in this situation to begin with.
When we meet Charlie
she’s a cocktail waitress at a casino that’s basically second hand and she’s
been trying to stay off the radar for years. She has the innate ability to tell
when someone is lying and years ago that helped her clean up at the poker
tables. Then a casino owner learned what she was up to, broke her fingers and told
her not to do it again. She’s been living the most normal life she can and she
probably could have kept doing so had she not happened to be at the same casino
where the man’s son was working (Adrian Brody)
The son, who is
suffering in the reputation to his father, wants to fleece the biggest whale in
the casino who isn’t gambling enough and he wants to use Charlie to do it.
Charlie goes along with it, but while she is her closest friend ends up being
murdered. Her friend was in an abusive relationship, her husband showed up at
the casino the night before drunk and threatening to kill her, and it looks
like he shot her and killed himself.
Simple.
The problem is Charlie
can’t let it go. Slowly she begins to
suspect that Sterling had some involvement with her friend’s murder – we actually
know he’s responsible; we know why in the teaser – and it becomes pretty clear
that Sterling and his chief of security (Benjamin Bratt in his best work since Law
and Order) tells him that they have to get rid of her.
Charlie very quickly
learns she’s not Columbo. In those mysteries, when Peter Falk convinced the killer
that he knew he was on to them, they went to jail. In the pilot – and subsequent
episodes – Charlie’s sense of right and wrong always seems to end with her
nearly dying. She manages to avoid it by
turning the tables on Sterling, but his reaction is to jump out a window and Charlie
barely escapes in a hail of gunfire. In the closing minutes of the episode,
Sterling calls her and tells her that he has every intention of killing her and
that running is not possible. Charlie
knows very well how this will end if he catches her and is spending the series
one step ahead of a fate far worse than law enforcement.
If this were a
procedural we wouldn’t believe it for a minute, but Rian Johnson and his group
of writers have essentially staged as a black comedy and a homage as much as it is a mystery. Like Colombo Lyonne is the only
recurring character and every episode we see a new set of guest stars. In the
second episode, in which Charlie ended up at a truck stop when her car blew a
gasket, she collapses from her gunshot wound and is helped by Marge, who is
played by Hong Chau. Marge gives her some advice as to how to stay ahead of the
criminal, doesn’t ask questions and tells her to get a side hustle. When Marge
ends up being framed for the murder that we see being committed in the teaser,
Charlie reluctantly investigates even though she will never see Marge again. The mechanic who helps fix her car is John
Ratzenberger, who honestly looks the same forty years after Cheers.
Columbo always seemed to know the holes in the
perps story before he showed up. Charlie
has to actually do the work. And because she’s not a cop, no one is
particularly inclined to help her or even take her seriously. In the second episode she spends the better
part of the show trying to get the perp she’s on to him, and when the perp not
only confesses, but he also turns it on her and tells her he knows who she is
and that she’s a fugitive. Indeed, the perp has cut her brake lines and it’s
only by a stroke of luck she never realizes that she escapes intact. Charlie is
not a survivor, can’t defend herself well, and is always working against a
clock. All she has is the ability to know when someone is lying and as she
freely confesses in the Pilot “it’s not as helpful as you might think.”
Lyonne by now can sell anything with her raspy
voice and fatigue: all her characters seem to have been born cynical and it’s
perfectly helpful for Charlie Cale. Because no one ever truly takes Lyonne’s
characters seriously, she doesn’t take it that seriously either, even when everything
is life or death. That is the main reason Poker Face works as well as it
does: Charlie in that sense is a much a descendant of Sam Spade and Philip
Marlowe as Columbo, the reluctant gumshoe who keeps getting suckered in to
doing the right thing even when its against their interest. Perhaps the spirit of noir is why a ludicrous
premise works as well as it does: Charlie knows she’s on borrowed time, so she’s
trying to do as much good as she can before the end comes. The series also
seems to have a lot of actors who are capable of raising to the task (and
possible Guest Actor and Actress nominations) Cherry Jones, Ellen Barkin,
Judith Light and Nick Nolte are scheduled to come up in future episodes.
Poker Face has already been
renewed for a second season. Can it last beyond the initial premise of the
first season? Who knows? But Lyonne has already proved herself capable of handling
time travel, so playing a rogue detective is something she’s more than
qualified for. Just don’t stall too long when it comes to the third and last
season of Russian Doll: making us wait to long for that would in itself
be a crime.
My score: 4 stars.
No comments:
Post a Comment