Those of you who read
my blog know that I have always been willing to give more rope to the reboot
then my fellow critics. But I’ve also spent a fair amount of time
differentiated between them and that the one I have the least use for is what I
call the continuation - in which
members of the original cast return several years later and pick up right where
they left off.
I’ve spent much of the
last decade enjoying decidedly mixed
returns: for every Twin Peaks: The Return, there’s another …And Just
Like That; for every City Primeval, we get five more seasons of Will
& Grace… honestly by the time of Season 11 of The X-Files I was
running out of patience for them. And I had similar doubts when it came to Dexter:
New Blood when it aired in the winter of 2021 – doubts I feel were well-met
given the immense controversy of the ending…or I guess not the ending if the
trailers for Original Sin are to be believed.
Yes Dexter Morgan is
still with us at least from limbo as the opening moments of the teaser have
played out over the years. But I’ll be honest, while there were few compelling
reasons for me to watch New Blood I’ve decided to watch Original Sin because
there are many more intriguing ones. And that’s because, as we all know now, Original
Sin is being billed as ‘a serial killer origin story’. And if we’ve learned
one thing from the era of Peak TV, the origin story or the prequel far more
often offers opportunity for brilliance then the majority of most reboots.
I became fond of the
origin story when the WB was still in existence. It was in that context I first
watched Angel, a spin-off of Buffy The Vampire Slayer that
achieved greatness when it delved into the backstory of the title character –
and that backstory went back nearly two hundred and fifty years. Through it we
saw the story of Darla (that was the first time I noticed Julie Benz) as well
as the story of two of Buffy’s greatest villains Drusilla and Spike. So much of
the show’s greatest moments came through the story of Angel’s complicated
relationship with all three of those vampires, all of whom had major roles
during the series five year run.
During that same period
we were all introduced to Smallville, in my opinion still the gold
standard when it comes to any television show related to a comic book. Because
it chose to be the story of Clark Kent growing up and made a promise to leave
Superman out until the series finale, we got to see not only Clark’s long story
but the best versions of Lex Luthor on any medium to this point, a fascinating
if overextended use of Lana Lang, and longer stories on Martha and Jonathan and
eventually Lois Lane herself. In the second half it became more interesting as
it began to fill out the backstories of many of the characters in the DC
universe, including a brilliant arc by a then unknown Justin Hartley as Oliver
Queen. There’s an argument that his storyline as the Green Arrow was more fully
realized that anything we would get from Greg Berlant in the following decade.
(Indeed some of the characters from Smallville ended up becoming part of
DC’s official lore.)
Much of the better
origin stories have been used for comic books in the next two decades (Gotham
tried and occasionally succeeded in painting a universe of the city before
Bruce Wayne became Batman) and other sci-fi shows (Caprica was a
short-lived attempt to give a perspective of the origin of Battlestar
Galactica.) But in the 2010s, some extraordinary television has come from
what would be prequel series to characters that even in their original form
were downright villains. The greatest example of this is Bette Call Saul which
went past its shaky start to being considered one of the greatest TV series of
all time, but there have been versions that have involved serial killers
before. Bates Motel attempted to be both a prequel and a modern
version of the saga of Psycho and did so superbly for five seasons led
by the extraordinary performances of Freddy Highmore and Vera Farmiga. And
nearly ten years after it was canceled there are still millions of people who
are demanded another season of Hannibal, a prequel so brilliantly
gruesome I’m still astonished it aired on NBC for three seasons.
What all of these
series had in common was that they used what we knew about the lead characters
and then went out of their way to use the outlines of the original story to
expand on them in ways the source material never left room for. Obviously Saul
was by far the best at it, not only in filling in the blanks of Saul
Goodman and the cartel from Breaking Bad but by building a life around
Jimmy McGill and creating a world of characters just as fascinating and far
more human than so many of the ones we met in Breaking Bad. That idea
may be one of the most critical reasons I’m already giving an advantage to Original
Sin: just as Saul expanded upon the Albuquerque of Walter White by
going back roughly five years from the moment Walter crossed paths with Saul
Goodman, Original Sin is going back what appears to be about a decade
(maybe more, maybe less) to the Miami of Dexter Morgan. One of the reasons Dexter
was such a brilliant series at its peak was because it remembered not to
focus so much on Dexter but on Miami Metro itself.
But the other reason
for my comparison to Saul is what the show is promising to be. Vince
Gilligan decided very early in Season 1 to change how the series would work by
looking at Jimmy McGill and the two major figures in his life: his brother
Chuck and Howard Hanlon. In the original imagining of the series Chuck was the
force of good and Howard his nemesis but halfway through Season 1 the writers
decided to flip the script and have Howard be basically good and Chuck be the
person who never really trusted his younger brother.
As anyone who remembers
the original series the major figure in Dexter’s childhood was his adopted
father Harry. It was through him he learned his code and how to channel his
energy. But eventually he learned that Harry had been lying to him his entire life
about how he was found and who his family really was – and eventually that
while Harry went out of his way to make Dexter into who he was, when confronted
with his first kill Harry couldn’t bare the guilt and killed himself. In the
first two seasons Harry was seen as who he was in flashbacks; after that he was
seen as the voice in Dexter’s head.
But we never really got
much of a look at who Harry was outside of how Dexter himself saw him. Original
Sin looks like it is going to change that narrative at least partially. The
show seems to have Dexter working at a part-time job at Miami Metro when he’s
just about at the time when he’s considering his career. As a result we’ll see
how Dexter ended up at Miami Metro for the first time. And I’ll be honest
that’s the part about Original Sin I want to learn more about than how Dexter
became a serial killer.
One of the questions
that was posed in the Pilot was how none of the detectives nobody had the
slightest clue there was anything off about Dexter. We spent a lot of time
learning how Dexter became the killer he was but what I want to know more was
how he managed to put up the mask that fooled everyone around him. Seeing how
he came in as someone in his late teens (Patrick Gibson does resemble a
young Michael C. Hall) might give illustration to that.
But I also want to
learn more of Dexter’s adopted family and his work family’s origin stories and
it does look very much like Original Sin is willing to do that. It helps
that in this version Harry is played by Christian Slater who already spent four
years of his life playing both a bizarre father figure and the voice in
someone’s head in Mr. Robot. He may not resemble a young James Remar but
in that sense, he’s perfectly cast for the role of Harry.
We’re also going to see
for the first time how Harry interacted with his colleagues at Miami Metro
itself. That will mean meeting younger versions of Vince Masuka, Angel Batista
(James Martinez here) and Maria LaGuerta (Cristina Milan). Considering how
critical all of these characters were to Dexter in the original series I’m
curious to see not only how they interact with Dexter for the first time but
how they interact with Harry. And more importantly I’d like to see what
they were like when they were more fresh-faced. Was Vince always the dirty old
man he seemed to be? Was LaGuerta always such a hard-ass? I’m assuming Angel’s
still married at the time Original Sin begins so I’d like to see what he was
like as a family man.
Most of all, I want to
learn about Deb. Played by Mollie Brown in this version, she’s clearly still in
high school and still swearing up a storm. I’ve always suspected the only
reason Deb became a cop in the first place was because she wanted to make Harry
proud of her. We already know he spent most of his time on Dexter growing up
and we saw in some flashbacks how badly that scarred her emotionally. Debra
spent all of her time on the show trying to live up to the reputation of her
father and then to earn the respect of her brother – and she paid the ultimate
price for it. I want to know who Debra Morgan was and I’d like to how she was
put on her path even more than Dexter was on his.
And that’s before you
get to one of the biggest draws: Sarah Michelle Gellar. Ever since she left her
role of a lifetime on Buffy back in 2003, appearance by here anywhere
have been few and far between. She had leading roles in two of the best one and
done series of the 2010s: Ringer and The Crazy Ones but did very
little the rest of the decade. Now in the new decade she seems to be making a
return to TV and she’s getting back to her roots: first in the supernatural
series Wolf Pack and now playing the blood spatter analyst who the young
Dexter becomes an intern under. This too is a perfect role for her to play: if
ever there was an actress known for playing characters who need a double life,
it’s Sarah Michelle Gellar. Even Patrick Dempsey’s return as Harry’s boss pales
in comparison.
Some might argue – with
good reason – about wanting to expand the Dexter universe the way one
would a superhero. But there is precedent for this before as well as the
possibility for interesting stories. And there were other parts of the show
that original sin could expand upon. Will we learn anything about Dexter’s
adopted mother who we almost never saw in the flashbacks? Will we meet the
young Tom Matthews who was one of Harry’s closest friends when he was on the
job and was high in the ranks in Miami Metro? The one I’m most interested in is
the story of Camilla, the human resources worker played by Margo Martindale in
the original series and who seemed to be one of Dexter’s better angels over the
course of the show. Considering she knew more about Dexter than she let on,
there’s material to be mined there.
I have no idea if Original
Sin is going to be one-and-done but since they’re expanding Dexter’s universe
a bit (there seems to be another related series planned) they might very well
do more seasons than that. What I do know is that unlike New Blood, which
I had no real desire to watch, I’m actually going to watch every episode of Original
Sin and Michael C. Hall’s voice is not the only reason. That said, I won’t
mind hearing it again. It was always intriguing when it told us about his past
in the original series. It will be just an interesting to hear how he dealt
with it when we see it happening to him.
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