Considering that this has been a
category dominated by Modern Family much of the last six years, it's been very
hard for other worthy nominees to get in. But with the gradual fading of that
series, there has been some room for some new faces. Considering that some
series are running out of time, let's see if there's room for some new blood.
Andre Braugher, 'Brooklyn
Nine-Nine'
He's managed to satirize his image
from 'Homicide' brilliant, and few people have demonstrated a level of deadpan
so effectively - the last I can think of is Nick Offerman from 'Parks and Rec'.
But watching Captain Holt go through procedural satire, play off his
relationship, and interact with a colleague even more deadpan than him was
comic gold. He's already won a Critic's Choice. Could we please let him have
another Emmy?
Tituss Burgess, 'Unbreakable Kimmy
Schmidt'
Another vivid and powerful
character, but at the completely polar opposite from when it comes to emotion.
He's got some of the best one-liners on this series -- and for a Tina fey
series that's saying something - and he also revealed that he had a lot more
heart when it came to his timid approach to romance. Whether or not he'll be on
stage after being shunted aside is up for debate, but he totally deserves to
repeat.
Jamie Camil, 'Jane The Virgin
Equally expressive, he's already
proven that he's one of the more expressive and scene-stealing characters of
this criminally underwatched series. But this season, he showed even more
emotion than he was allowed to. From his heartbreaking detachment from Xiomara,
to his general relationship with his own mother, to his tentative romance with
his old writer, he proved that his character had great depths.
Tony Hale, 'Veep'
Very few actors have had their
characters insulted more than the ones Tony Hale has played, and fewer have
done so much more in their reactions. Arguably the most physical comedian of
those in this category (his face is so expressive) his Gary
defines the word 'supporting'. Whether trying to cover for the President over
her secret lovers or just trying to feebly offer comfort as the lowest man in
the food chain, he is a genius of a comedian, even in the background. He's won
twice in the last three years, but he deserves another nod.
T.J. Miller, 'Silicon
Valley '
As the constantly stoned, overly
extended Ehrlich on this comedy, Miller has established himself as a comic
force. This season his character failed to kick out a lodger, spectacularly
blew through $20 million of a colleagues money, ended up selling his shares of
his company to pay his debt, and lost his job by his own foolishness. In the
interim, Miller won a Critic's Choice last years, hosted this year's Critic's
Choice hysterically, and has been tapped to host this year's Emmys. In New
York , he begged not to be nominated for an Emmy.
Voters, make him unhappy.
Keegan-Michael Key/Jordan Peele
'Key & Peele'
Really, trying to make a case for
one of these brilliant comedians on their lately departed series over the other
is really like choosing between Ilana and Abby on 'Broad
City '. Both are comedic geniuses,
both are brilliant writers, both have brilliant commentary. To try and nominate
one over the other would ridiculous, which makes the nomination of Peele over
Key a little odd. Considering that they managed to improve with their subtly
hysterical Keanu in April makes it
seem more imperative to honor both of them.
WILD CARD
Jay Duplass, 'Transparent'
There are a lot of strong
candidates for this category, but strangely left out of the Emmy race last time
was this other brilliant hyphenate. While his brother was equally good in the
underrated and under-watched 'Togetherness', Josh had some of the more poignant
moments as he began to accept fatherhood, dealt with his teenage son from an
earlier affair, and blundered his way through a marriage proposal with Raquel.
There's a chance, he'll be considered. I just want to make sure his name was
put forward.
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