Now we have hit the mother lode.
From its brilliant teaser to the eerie conclusion, this is the first balls to
the wall classic X-Files would
create. This episode and the last one demonstrate the enormous contrast between
the X-Files writers. Ghost in the Machine was so close to 2001 and it took a fresh idea and made it seem incredibly tired.
This episode almost blatantly rips off The
Thing ---- and it seems like it wasn't even created for the same series.
Why is the former so mediocre and this episode so inspired?
A huge part of it has to do with
the characters. In the last episode--- and, if we're going to be honest, every
episode so far--- the characters other than Mulder and Scully seemed flat and
one-dimensional that they might as well have been lifted from any police
procedural or sci-fi series. For that matter, our ostensible protagonists have
been running in place for the last couple of episodes at least But for the
first time, the series puts everybody in the episode at the center of the
X-Files. It takes the threat from seeming innocuous to real paranoia, and it
demonstrates that our leads, for all their team work so far, really don't know
each other or trust each other that much. For most of the episode, Mulder and
Scully are at each other's throats, not realizing--- or, for that matter,
caring--- that their disagreement is not
helping matters. For the first time in the series, Duchovny seems stripped away
of all the quirks that made his character a little annoying at first, and
amplifies to an extensive degree his latent paranoia. Anderson is somewhat more
measured, but no less fascinating--- in this case, her rationality isn't trying
to keep Mulder in check, it's trying to keep history from repeating itself----
and it's clear she feels more than a
little over her head.
If it were just Mulder and
Scully's added crackle, the episode
would be notable enough, what makes it work even better is that the secondary
characters are actually given something to do. None of the actors on the team in Ice ---- Xander Berkeley, Felicity
Huffman, or Steve Hynter--- was well known
before the series, but all (Huffman in particular) have gone on to very
successful careers in TV, and their
early work her demonstrates just how gifted they are. All of them have
notable foibles or quirks that no one else has demonstrated at any point in the
series, and all of them react differently when
the possibility of infection and a pretty hideous death is on the table.
When they start dying, we actually give a damn because the law of Extraneous
Characters doesn't seem to apply here.
The paranoia is nearly as deadly an infection as killer worms from
beneath the Arctic , and we feel it with every minute. It
can't have helped matters that this team was assembled with no one knowing
anything about the crisis or about each other. When the killer is revealed, it
comes as much as a shock to even her.
I've given the characters involved
a lot of credit, but the fact remains this is pretty much a triumph for almost
every aspect of the episode. The teaser that I mentioned is the first truly
brilliant one we've seen since Squeeze--- the horror of what seems to have
happened at Icy Cape
is fully realized even though all we see is the aftermath. Not to mention the
last few seconds add a twist that would seem to be quintessential X-Files---
Richter and Campbell fight,
struggle, and have guns on each other before both simultaneously decide to
commit suicide. It's so powerful an image than when Mulder and Scully mirror it
by the end of the episode, we forget the rules that protect the leads of the
show, and think--- really believe-- that
they might fire on each other. However, the episode also demonstrates the first
really legitimate example of the two agents--- literally, in this case--- watching
each other's back. There will be many
moments in the first two seasons of the show where our protagonists still
acknowledge that neither one quite trusts the other, but this is the first one
that is absolutely critical.
Every other technical aspect on the
show works perfectly for the first time. Essentially, this is X-Files acting
out a stage play--- later episodes will openly copy it outright---- and that
chaos adds to the episode's effectiveness. (It's also the first example of the
series taking advantage of not
getting much of a budget; never has the idea of making more with less work so
effectively) The visual effects are perfect, and they need to be, because of
this worm doesn't work--- the entire episodes loses a chunk of its threat. The
cinematography works very well, and Mark Snow's musical score finally seems to
fit the mood of the series rather than just seeming generic.
Ice demonstrates, for the first
time, what X-Files was truly capable
of, which would seem to demonstrate that Morgan & Wong have the clearest
picture yet on what will make this series work. Much of their work in the next
two seasons would be spent trying to match it, and the fact that they
succeeded, even surpassed it at times, demonstrates just how good they--- and
the show would soon become.
My Score: 5 Stars.
No comments:
Post a Comment