Written by Alex Gansa & Howard Gordon
Directed by Jerrold Freedman
Twenty years after originally
airing, it's not surprising that some aspects of The X-Files seem dated. The idea of an artificial intelligence
isn't one of them--- Person of Interest is only the most current show to use a similar
idea, and The Matrix probably made it
mainstream. So the fact that this episode doesn't have the best reputation
among fans or even the shows creator is a little surprising, considering the
show might be considered ahead of curve. The biggest problem is the budget.
Those series had them; The X-Files at
this time didn't.
The biggest problem with the
episode isn't the fact that it blatantly is stealing from 2001---- it's that it does so with so little imagination. The
teaser is an interesting death, but after that, it's very little that the
average viewer hasn't seen or read before. Once again, it's clear that the
writers are still feeling their way around, and haven't got the idea of what
their series is supposed to be doing. Even a season from now, the show would've
had a style that it could borrow from, and make this idea fresher (and then
make it more tired--- see both of William Gibson and Tom Maddox's scripts), but
right now it doesn't have one, so it finds itself trying to hit several
discordant keys at once.
First, it tries to give the story
more value than it has by having it brought to an agent who was one of Mulder's
former partners--- Jerry Lamana, who is never mentioned again--- a trick that
police procedurals have done over and over Then it tries to add to the episode
by having the partner steal Mulder's profile, and then have the agent die as a
result of the investigation. Then it brings in Deep Throat, who we haven't seen
since the second episode, and it's clear that the writers don't have quite the
idea how to use him--- we have no idea how Mulder made contact with him, or why
he's helping him with what amounts to a traditional monster of the week. Then
it tries to add the conspiracy element by having shadowy government operatives
trying to get a hold of Wilchek's work, complete with a 'surprise' mole. By the time Scully's crawling through the
air-conditioning system to try and shut down the COS , we
know what the real problem is with the show. Individually, one or two of these
items might work. Having them all in the same episode makes the series seem
like the mish-mash that it, unfortunately, seems to be becoming.
Of course, the real problem is one
of how the writers were working at the time. Each of the three groups had
presented their introductory script, and now they were all scrounging for idea.
Carter took on Bigfoot, Morgan & Wong took on Poltergeist, and now Gordon
& Gansa have taken on Demon Seed.
Again, like other supernatural series that would follow, the show was
still trying to find it's feet. And even though it's reputation is bad, and the
use of the technology involved dates the episode far worse than it should, it's
not as horrible as some of the other turkeys the series would produce. The
problem is, it's just not good, either. The show is playing it like it has done
everything else in the last few episodes--- so seriously, with no sense of
enjoyment and precious little fun. The series can't make up its mind whether
it's a police procedural or science fiction, so it does both, and as a result
both suffer. Even the capper at the end is out of every horror movie that came
before or since
Looking back on it , any critic or
viewer who had even glimpsed at an episode of X-Files--- and at the time, that was almost nobody---- would've
figured that the series, which started so promisingly, has basically gone down
the crapper. There are interesting ideas being used, but that's all they
are. It's possible that many of those
people who loved the show--- like me--- would've regarded it as not worth the
time. There has not been a flashpoint to galvanize the series, and one wonders
if there would be one. Episodes like this one probably would've demonstrated,
like the COS , that the series might not have much of a
future.
My Score: 2 Stars
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