Many of the
candidates for this award will be taking up space from the series I've previously
mentioned, and they more than deserve to. But trying to filter through the
strong from the less deserving is going to be difficult, especially with all
the high level movies. So bearing that in mind, here I go.
Olivia Colman,
'The Night Manager'
Colman was
already unrecognized for her brilliant work on the small screen for
'Broadchurch' for her power as a detective whose life is thrown into upheaval
by a murder in her hometown. But that was small potatoes to her work in this
series as Angela Burr, a relentless, continuously undermined intelligence
officer doing everything in her power to bring down Richard Roper. This is a
performance that deserves to be recognized
Catherine Keener,
'Show Me A Hero'
She's always been
one of the more undervalued actresses of this generation - or any other, for
that matter. And watching her in a gray wig and glasses, spouting some of the
more casual racism you wouldn't expect to hear from anyone is something of a
shock. But as always the actresses frailness and unassuming nature makes her
behavior all the more remarkable, and make you realize there's little she can't
do.
Regina King,
'American Crime'
Last year, King
deservedly won an Emmy for her brilliant work as the sister of an accused
murder. Here she played the equally overprotective mother who defended her
basketball playing son after he was involved in a crime. But when her
character's picture perfect life came crashing down upon her, the moments of
her emotional devastation were mesmerizing. I often object when actors repeat.
This time, I wouldn't object at all.
Melissa Leo, All the Way
Leo's made a
career of playing solid, career based women whose performances are so subtle
the Academy has perpetually ignored them. But portraying Lady Bird Johnson, the
subtle wife of a President who knows all the secrets her husband keeps, and is
not afraid to argue against them, was one of her very best. She's already won
one Emmy, but she deserves to be recognized here.
Sarah Paulson,
'American Horror Story: Hotel"
I'm not usually
one of this series admirers. And its not like she's played particularly
sympathetic characters on this series, or this season. But even I have to admit
her work as a junkie trying to get her next fix while mixing with her desire to
be loved was a more deserving performances than the overblown ones that
surrounded her. If they have to nominate someone from this series, let it be
her.
Jean Smart,
'Fargo'
She's already
assembled a career of some of those magnificent female performances that don't
fit the mold of TV women in any age. So perhaps its only fitting that she was
cast to play a steely-eyed Midwestern mob boss named Floyd Gerhart. As her
family and her empire dissolved because of forces from without and within, we
reached a level that made her own demise one of the more tragic of the era.
She's already won a Critic's Choice; another Emmy might not be that far away.
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