Written
by Henry Bromell and Tom Fontana
Directed
by Richard Pearce
As
Homicide went into its third
season, the show would begin to make some experiments with the format. Sometimes
they would show the episode from the point of view of the less important
characters, sometimes we would see things from another characters point of
view. One of the latter experiments occurs in ‘Last Of The Watermen’ which
explores the personal life of Kay Howard--- unfortunately, not very well.
It
is not difficult to believe that Howard--- or any of the detectives--- would
become overwhelmed with some of the grimmer aspects of the job. The murder of
Audrey Resnick--- a sweet old woman who was killed and had her tongue cut out
and stuffed back into her mouth--- finally pushes her too far and she goes on
vacation to her family’s home on the eastern shore of Baltimore in
order to find some peace. But, as Thomas Wolfe said, you can’t go home again. The
town has changed immensely--- her father has retired from his job, the oyster
business in which he and so many of his colleagues worked is in decline due to
economics and ecological changes, and a former flame of hers has gotten married
and divorced. Now this could all be dramatically interesting or effective if it
weren’t for the fact that about halfway
through the episode, one of the men in charge of conservation is murdered and
Howard is asked to help with the investigation (since this is the fist murder
in several years).
The
overall effect is to turn this episode into a retread of ‘Murder, She Wrote’ particularly
since all the suspects are friends of hers. About the only thing that saves
this from falling into cliché is the
fact that the trademark realism that we see on ‘Homicide’ in present here.
There are no plot twists, no grand motives no trick to capture the killer. The
person that we first suspect is the murderer and the reasons are no more arcane
than what were plainly obvious. There is
nothing sinister underneath it all, just a man who got upset at how his life
was falling apart.
While
all of this exploration is different, unfortunately it is not very
interesting--- particularly because the episode keeps cutting back to the
murder of Audrey Resnick which Felton is investigating. And adding to the fun
is the fact that Gee has enlisted the reluctant Pembleton to help him
investigate this murder. The two have always shown sparks before, but there is
more energy to their sparring. The two of them have a brilliant dialogue when
Felton explains his standards for whether a death is a ‘killing’ or a
‘murder’--- something which insults Frank because he believes that every life
has meaning and therefore every death does to. The two of them put some of
their testosterone to work when while
looking for the victims grandson who they suspect is the killer they take
opposing sides in a basketball game and end up going one on one. They eventually do catch the killer and find
out his motives are about as straightforward as we usually get on Homicide ; he killed his grandmother
because he was sick of hearing her degrade him.
Given
what happened to Kay in this episode it is kind of hard to believe that she
would return to her job feeling reenergized as she seems to be. However, maybe
her feeling is one of relief of realizing that for all the ugliness that Charm
City can muster up at times it’s more comfortable dealing with murder there
than in a place that you once called sacred.
‘Last of the Waterman’ ironically
only works as an episode whenever it goes away from its main story. Maybe it’s
because Baldwin and Braugher have a much more energetic interaction than Leo’s
interactions with her family or maybe it’s because of the differences with the
story. Whatever the case, this kind of exploration into the detectives lives
would be tried again but never quite like this. The creators would learn their
lessons wellMy score: 2.5 stars
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