Written by Jessica Scott & Mike Wollanger
Directed by Ralph Hemecker
Usually scripts by first-time, or
in the case of this episode, their only scripts, are somewhat jumbled and don't
quite have the balance of either the nature of the X-Files or the idea behind
the monsters. But you'd have to look long and harder to find an episode as
confusing and bizarre as Schizogeny is.
First, there's the fact that abused
teenagers seem to be trying to fight back against the parents who are attacking
them. Then it seems that somehow, the trees and the soil around a Michigan
orchard are somehow responsible for the deaths. Then we learn that these same
trees and dirt are somehow being controlled by the therapist for these same
abused children, who was also abused as a child, and by the way, all of the
abuse that they're talking about, never actually happened. And just when it
seems that Mulder is doomed to the same horrible death as the other victims, a
deux ex machina appears in the form of an orchard worker, who pops up just in
time to inexplicably walk up behind the therapist and chop her head off. One
wonders at what points Chris Carter and company looked at this script, and
thought "This doesn't make any sense."
This is a messy and utterly
perplexing episode. It doesn't help matter that it also chooses to be an
episode centered around teenagers, something that the X-Files would never
really handle with the greatest of ease. Which is something of a pity, because
there actually happen to be some pretty good ideas surrounding this episode. It
deals with an issue that has a great deal of pertinence, the idea of imagined
accusations of abuse among youth. Karin Matthews only childhood was apparently
a mess of horrors, and as a result of these horrors, she tried to center her
aggression into the idea of therapy. However, rather than use it in a positive
way, she seemed to see images of herself everywhere, and then tried to pour her
abuse into vessels like Bobby Rich. There was clearly a hostile relationship
between him and his stepfather, but Karin used a way to turn into something
that it wasn't. And as a result of her inability to deal with it, she took it
to an extreme.
This is a powerful idea. Where it
loses cohesion is having Karin's father take over her body. Sarah-Jane Redmond
is a very good actress (she had already played a version of benign evil on Millennium this same year) but when it
becomes clear that Karin is using the voice of her own father as a split
personality, it seems and added element to an episode that already had one too
many. Redmond does a good of
sounding male, but its way too much of a stretch for her to pull off.
The episode isn't helped much by
the fact that Mulder and Scully seem utterly out of place for the majority of
it. The usually humorous back and forth just seems particularly discordant
here, and it doesn't help matters that even Scully's 'rational' explanations
seem even more ludicrous then usual (even she seems to admit as much). Mulder
does a little better, but his attempt to connect with Bobby don't seem
particularly believable or sympathetic. He isn't helped by the fact that Chad
Lindberg seems to be doing his best to channel Nicholas Cage, and not doing a
particularly good job at it, either. Just to add to the problems, the special
effect in this episode aren't particularly good. Then again, one assumes the
tech people didn't have much to work with. Trying to do an episode where it
seems like the dirt and the trees are trying to kill is a little too close to
what we came across in Detour, and at least then the attackers were human. Here
the ideas would be laughable, if they weren't being played relatively straight.
Schizogeny is another messy episode
that robs what is potentially a powerful idea of much of its strength. One
could see a writer like Spotnitz or Gilligan pulling it off, but not a couple
of first-times. You get the feeling that one more draft might have been able to
handle the problems with part of it, but there are so many other mixed elements
that ultimately it just doesn't work. It's little wonder that Scott and
Wollanger would disappear from the show after just this episode--- this episode
might have worked a little better had it been in the first couple of seasons.
Even the people who admire it, would have to admit that this is a hard episode
to love.
My Score: 2.5 stars.
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