Written by Tim Minear
Directed by Kim Manners
Tim Minear would later gain a
significant reputation for his work in connection, like a lot of other writers
connected with the X-Files, for working with Joss Whedon, mainly in connection
with Angel. This would be his only solo script for the series. Which is something
of a huge pity, because he clearly demonstrates a great deal of strength with
Mind's Eye.
Coming down from a series of overly
complicated mythology episodes, this story is almost deceptively simple. We are
told the story of Marty Glenn, a blind woman who has been accused of murder.
The episode then allows Mulder and Scully to properly investigate, something
that they haven't been able to do for awhile, and try and figure out how Marty
managed to complete a series of murders. For once, the suspect's supernatural
ability is a reason that Mulder believe in her innocence for a change, so much
so that when the detective who called them in for assistance eventually tells
Mulder: "You're a skeptical guy", one of the funniest lines the
series has had in quite some time.
Mulder's belief in Marty's
innocence is one of the more engaging things about the story. For once, his
empathy isn't tied to any relationship to extraterrestrials, but rather to the
idea that this a woman who has gone out
of her way to demand nobody feel any sympathy for her. Marty is abrasive,
hostile, sarcastic and everything about her makes her seem more guilty, yet
seeing how she has adapted to her disability makes her seem like one of the
more endearing characters in the entire X-Files lexicon. The result is that
Duchovny gives one of his more compassionate performances in the entire series,
and in a season which has shown him to be more abrasive and angry, that's a
real change of pace, one that he embraces whole-heartedly.
But what makes the episode work so
well is the brilliant performance of Lili Taylor as Marty. Taylor
is one of the best and most undervalued actresses working today, and her
portrayal is one of the very best guest star turns in the entire series
history. An actress that the traditional
world of Hollywood never managed to
find a niche for, she would be superb in both independent films, and starting
with this performance, television. She earned her first Emmy nomination as a
guest star for this role, and she thoroughly deserved it. Marty's whole
character is portrayed so that we deliberately never feel any sympathy for
her---- she doesn't want us to---- and yet despite her aggressive attitude,
maybe even because of it, she becomes one of the most empathetic characters in the
entire canon of the series.
Like so many of the best 'monsters'
in the series, the power that she possesses is one that she doesn't want ----
being able to see only through the eyes of a criminal is not something that we
would wish on our worst enemy. it becomes even more horrible when we realize
that the visions that she has--- hostile, angry, filled with murderous rage---
are the only things she can see. Some would argue that the sudden change in
character that she demonstrates in the final act is almost too radical a shift
to be believable. I hold it much in the same way that Mulder does; she never
had a choice before, and being able to kill the man who has essentially
imprisoned her for her entire life, seems like an act of liberation.
Admittedly, the special effects and
the visions that we see through Marty's eyes don't seem to be particularly
remarkable as the series can usually be. (However, the two sequences where
Marty sees herself through Gotts eyes, packs quite a punch.) But this is an
episode more about character then it is just about anything else. It's also
should be noted for the rare case of a sympathetic law enforcement official
(well played by Blu Mankuma), who enters the rare pantheon of competent law
enforcement officials who ask for Mulder and Scully's help. In almost any other story, Mankuma's
performance would be enough to overshadow anything else, but Taylor
as is her habit, overshadows everything.
Mind's Eye is not a perfect
episode, but in a season where so many of the Monsters of the week have been
mostly lacking, and rather humane characters have been all but absent, it's
probably one of the high points of the fifth season. It's a pity that Minear
decided to leave the series after only a single season; he clearly has a better
grasp of the series than a lot of the other new writers who were brought in
during the last couple of seasons. One could certainly tell that he had a
better grasps of what made the X-Files work---- an interesting gimmick, good
characters and something that makes our heroes look good. When we see Marty
alone in her prison cell in the final scene, our hearts go out to her, which
means more than any other writer save for Vince Gilligan, Minear knew what he
was doing when it came to characters this season.
My score: 4 stars.
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