Written by Vince Gilligan, John Shiban & Frank Spotnitz
Directed by Kim Manners
The second part of this story
should be disappointing; after all, that's what X-Files two-parters are. All the toys gets put away at the end, and
this time, our heroes don't even get the benefit of knowing that anything in
this entire series of events even happened (let's do the time warp again). But
because this is a comedy, and sadly the only one of its kind in the entire
X-Files oeuvre, we don't feel nearly as disappointed by the ends of results.
Mainly because the entire Dreamland story arc is about taking the mytharc and
doing some much needed deflation to it.
The opening voiceover is absent the
normal purple prose, partly because it isn't Carter writing it for once, but
mostly because it views Mulder's entire back-story with an outsiders POV, and
we can see just how sad Mulder has made his life and career with the FBI.
Michael McKean's portrayal of Fletcher was delightfully sleazy in the last
episode; here, he has to do something much harder, and try and introduce a note
of humility into his performance at times. At times, he succeeds a little (the
bit where he enters the bar where 'he' and his wife are drinking together
speaks volumes) but mainly he spends much of the episode staying on the dry
weasel-like tone that he managed in the episode.
For most of the Dreamland II, it holds up
remarkably well. The scene when he recognizes the mole in Area 51 as his
immediate supervisor General Wegman is fairly funny, as well as a little
satisfying. Of far more enjoyment is the scene where he identifies himself to
the Lone Gunmen, and tells them that all the truth searching that they have
been doing since they started their newspaper is nothing but another level of
coverup, and that he enjoys adding this layer of deception to the lives of
conspiracy buffs like Mulder, and it's frankly a bit that probably holds up far
better considering that its really an additional add-on to the level of
conspiracy that the series hinted at in Season 3. Arguably, it's the best
sequence that the Lone Gunmen would ever be a part of.
Curiously, the bit that by far is
the most enjoyable is when Mulder/Fletcher approaches Wegman in his office, and asks him point
blank why he sabotaged the aircraft that led to the time warp that has caused
the entire problems, and we find out that he did this not to give information to Mulder, but to get it. Apparently, the government
conspiracy is so compartmentalized that not even the men in charge of running
know just how deep it goes. Wegman isn't some old man of the consortium, or
even part of the military we usually see on the series, he's just a working
stiff, who at the end of the day, wants to know if his life had any meaning.
There's something very poignant about
the way he asks Mulder: "Do aliens really exist?", and one can almost
wish Mulder could enlighten him.
One of the things that is better
about this episode is the way that Scully finally finds herself accepting the
unbelievable, at least to a degree. The way she turns her gun on Morris during
the supposed seduction is rather surprising, and seems like such a breakthrough
for her, its a little frustrating that she'll have no memory of it by the end
of the episode. That's nearly as
frustrating as the fact that she tells Mulder that she'd kiss him, if he
weren't so ugly. Paradoxically, Duchovny has a little less to do in this
episode, considering how central it is to him, but it is interesting to watch
how he tries to adapt as well as possible (and the scene where he confronts 'himself'
in the bar bathroom is very funny as well.) Unfortunately, the episode also
tries a little too hard to poke at the heartstrings with the scene between the
Fletchers at the ends. Considering how much Fletcher seemed to enjoy being
Mulder, it's a little unbelievable, even for this series, that he would try to
win back the wife who was throwing him out on the street. And after being so
shrill for the last hour, as well as unbelieving, its kind of hard to believe
Joanne would change perspectives that quickly even with the evidence. (Later
episodes would reveal that it didn't last very long either.)
But overall, the writers of this
episode didn't drop the ball. If we're wondering at the end why there are some
residuals from time snapping back like a rubber band - well, this is the
X-Files after all. And considering how much better Dreamland fit that so many
of the other conspiracy arcs, its rather disappointing that they wouldn't try
it again (especially considering what was about to happen to the Conspiracy).
It's entertaining enough to make you think the move to Hollywood
has done some good to a series that was starting to get stale for the last
year.
My score: 3.5 stars.
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