Written by David Amann
Directed by Rob Bowman
This is one of the odder episodes
in the sixth season, which makes a certain amount of sense seeing as it comes
from yet another first time writer for the series. Amann will be one of the
more solid contributors in X-Files move to Hollywood ,
but right now, he seems to be trying a mix between the old guard and the new.
Tonally, Terms of Endearment fits
in with what has been an ongoing theme in Season 6: that of the paranormal
trying to live an average life. Wayne
is a demon apparently interested in nothing more than living a normal life,
migrating out to the suburbs and having a normal baby. You can see the genuine
torment on his face in the teaser when he realizes from the sonogram that his
child has the same deformities that he does, and the almost resigned
frustration he shows near the end when he realizes he's going to have to go
through his devil act. It fits in with what we saw in the last episode where
Ghosts consider tormenting their guests part of their routine, and the
Dreamland two parter where even Men In Black have lives that there are so
mundane they'll jump at the chance to swap bodies. It's very amusing and fits
in with themes that were visited in Season 3 and 4 about little men using
supernatural powers to somehow become even more normal. But with each
succeeding episode, it seems to be becoming a little less subtle and more
ridiculous, and these writers don't have the same gift for comedy that Gilligan
and Morgan did.
The bigger problems with the
episode is that the lead role kind of overwhelms it. This is to take nothing
away from Bruce Campbell's superb performance as Wayne .
Considering that his typical mode of performance seems to be over-the-top, its
rather surprising - and pleasing- that his performance is so restrained. The
idea that the demon, at the end of the day, just wants to live a normal life is
one that could've been easily spoiled if the usual hamminess of Campbell 's
oeuvre had intruded into the role. There's a subtlety to it, that makes the
genuine emotion when we reach the end of the episode and realize just how Wayne
seems to have been used by an evil worse than he. It lends a certain poignancy
when he decides to sacrifice his life for the woman that he nearly killed.
All of this makes the episode work.
The problem is, very little of the rest of it does. Considering that the entire
point of our heroes being kept away from the X-Files to the point where Mulder
fishes the report on it out of Spender's trash, one wishes that they had
decided to give our hero something more to do. As it is, almost all of his
detective work takes place either off screen or when he's on the phone with
Scully. And if Mulder is given little to do, Scully is given even less. It's
now becoming something of an irritant that our heroes are, even though they're
no longer connected to the department, still solving an X-File every week. This time, it may be more connected with
Amann's first time out; God knows, we had problems like this all the time with
first time writers.
The biggest problem, though, is the denouement
when we learn that Betsy, the woman that was Wayne's other wife, turned out to
be a devil herself, and has been living in the suburbs killing and burying
'normal' babies, all the while waiting for another devil like Wayne to
impregnate here. Even for the level of implausibility that we generally
associate with the series, that just seems a little too hard to believe - that
Wayne, who seems to have taken a job testing blood so that he can seek out
women he can have a normal baby with, happens to find in the same county a female demon who is even worse
than he is. Lisa Jane Persky gives a good performance as the lady demon, but
its just not convincing enough.
On top of that, the technical
aspects of this episode seem to be over the top. The hallucination for the
teaser is good, but the idea of the devil is established there, we don't need
to have The Omen playing when police
storm Wayne 's house. And while
"I'm Only Happy When It Rains" is ideal theme music for Wayne ,
having it play as Betsy drives off into the sunset is the definition of
overkill.
All in all, Terms of Endearment is
basically little better than a run-of-the-mill episode. As a first time
episode, its a lot better than many of the ones we have gotten and will get,
but it's basically just pretty ordinary. It's the kind of television Wayne
would have appreciated, but the X-philes like us, not so much.
My score: 2.5 stars.
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