Written by John Shiban
Directed by Daniel Sackheim
In addition to the lighter tone
that the series has been taking the last few weeks, we've also scarcely seen
many of the regulars associated with the
conspiracy. To get a combination of the two is rather refreshing, and
considering the source of this episode, kind of remarkable.
John Shiban has been a writer more
comfortable with more traditional type dramas than the paranormal that we
usually get. In last season's Pine Bluff Variant, we got an episode that
would've more suited to the world of 24 than the traditional X-Files, and in S.R.
819, we get an episode with a similar vein -- a character whose life will be
over within 24 hours if his killer is not stopped. This wouldn't work if the
victim was Mulder or Scully, but by threatening Skinner, who has practically
been an absentee so far this season, it reaches a level of genius -- after all,
killing off a series semi-regular is something that the writers would do
without a moments thought. It also has the habit of united Mulder and Scully in
a way they truly haven't been for much of Season 6, even if it does tend to separate them much
the way that the mytharc episodes often did. Admittedly, we don't realize that
its a mytharc episode until its almost over - but we'll get to that.
Even separated from Mulder and
Scully, Skinner has still been suffering
as head of the X-Files. It's now clear that his marriage has ended, and he
seems even more rudderless than he did throughout much of the last two years.
It's something of a stretch to say that Skinner almost seems to welcome the
threat on his life - the way he reacts by thinking that the death threat is
somehow all about Mulder puts the agent in his place- but this episode does
give Mitch Pileggi a chance to stretch his acting muscles in a way that he
hasn't in nearly a year and a half. His determination to figure out why he has
become a target for death is rather strong - and the way he tries to ignore his
worsening condition is something that plays right out of Mulder's handbook -
but it's still good to finally see an episode where he finds himself
considering the end. It's not something he's unfamiliar with - he was in the
hospital at the hands of the conspiracy back in Season 3 - but it seems to have
brought him to a level of reflection that frankly, you'd think he'd have
considered before this point. The scene where he confesses to Scully that he
realizes that he could've been a better ally to them is by far the most
poignant moment his character has had in nearly five years on the series. Which
is one of the reasons, it seems like such a step backwards at the end of the
episode when he eventually returns to the position he's held. He has a reason,
but its not as satisfying.
The episode also gives both
Duchovny and Anderson something else to act off other than each other, which has been a habit of
much of Season 6 so far. Duchovny is by far as his angriest when he pursues
what is happened to Skinner - when he
refers to him as a friend, you get the feeling this may be the first time in
his life that he's acknowledging as much. It no doubts hurts a lot more that in
order to do this, he has to go after a man whose been one of his strongest
allies - Senator Matheson, making his first appearance since Nisei.
Unfortunately, this is actually one of the weaker moments of the episode. It's
never made entirely clear why the bill that Skinner is part of moving forward
is so important to the conspiracy, so much so that Matheson is willing to cut
off his relationship with Mulder in order to stop it. This is actually one of
the more painful parts of the episode. Matheson may not have been the most
consistent ally Mulder had, but he was a far more interesting character who
could've been used more effectively. Instead, this is his last appearance on
the series, and the writers never feel like he has to be visited again
This episode moves very
effectively, and works visually and the dialogue is unusually crisps. (Event
the voiceover from Skinner at the top of the episode seems a lot less purple
than the kind of monologue we get, but that's what we've come to expect from
Skinner by now) It only stumbles in the last couple of minutes, when Skinner
considering all the threat to his lifer, turns his back on the two people who
have been trying to help all episode. When we learn that the man who has been
controlling the nanobots that effectively killed Skinner was in fact Alex
Krycek, it's obviously meant to come as a shock, as once again, the producers
kept his name off the guest star list/ And yes, Shiban has been clever at
making it less than obvious that Krycek was the man behind the curtain. But
since we no longer seem to know what side Krycek is really on, the moment loses
a lot of oomph, considering that all of this was apparently a move to get him
back in the Syndicate's pawn. (And considering what's about to happen, one
wonders what the point was.) Regardless,
Skinner will be in Krycek's thrall until the series is almost over, but one
wonders why go through all these shenanigans in the first place?
Despite that, S.R. 819 is one of
the more suspenseful bits in a season that will be remarkably free of them. If
it does seem to be more of a step back when it comes to Skinner, one can only
be relieved by the fact that Walter will get there eventually -- and those
nanobots won't be a factor in his decision at all.
My score: 3.75 stars.
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