Sunday, January 28, 2024

The Jeopardy Writers Are Back At Work! A Celebration Of What Makes Them So Good, Part 1: The Theme Board

 

Try not to judge me for this but I know almost nothing about Taylor Swift, either the performer or her music. I know all too well what a force of nature she is and how she’s taken over the world, but that doesn’t mean I would recognize her songs or her voice. So that is why I did not make the immediate connection when I saw the category’s for the Jeopardy round this past Wednesday.

LOVE STORY, OUR SONG, BAD BLOOD, SHAKE IT OFF, WE ARE NEVER EVER GETTING BACK TOGETHER and finally THE ERRORS TOUR. Even the fact that one of clues in OUR SONG deliberately referred to Taylor Swift did not cause it to register with me. It was not until I looked online and I saw how overjoyed ‘Swifties’ were about Wednesday that I finally made the connection.

As a fan of Jeopardy I was glad to learn of this for a reason independent of any feelings I have for Taylor Swift: this board confirms that the Jeopardy writers are back at work. I knew that, given how taping of the show works, that after the WGA strike officially ended in late September, that there would be a delay before we knew for sure that there would be new clues. There have been signs of it over the last couple of weeks – one category was actually titled: THE WRITER’S STRIKE. (It had to do with writers who had written on strikes.) But Wednesday’s Jeopardy round demonstrates officially the return of the writers.

One of Alex Trebek’s many frequent comments over the years whenever a certain set of categories that had a theme came up was: “Oh, the writers are having fun.”  You get this frequently watching any game of Jeopardy because of how the clues are presented. The writers have to hide the response they want in plain sight and they have endlessly creative ways of doing so. And in order to make it not seem like a dry recitation of facts,  they also know they have to entertain the audience as well. Since I have been spending much of this season essentially very annoyed at the producers of Jeopardy,  I think it is worth spending some time celebrating the writers of Jeopardy.

I should have probably done this before because I know that as much of a presence as Alex Trebek was over his tenure over the show, a major factor in the show’s success involved the writers. It is a difficult job to recite sixty clues in the course of thirty minutes; it’s just as difficult to come up with that many. So the writers need to have fun when these clues are read out and the audience needs to be entertained by them. Sometimes it’s more obvious than others – when they laugh at certain clues when they are delivered – but just as often it comes as to presentation.

Over the last thirty years, I have noticed two critical ways as to how the writers have made the show work, beyond the vast array of trivia they demonstrate. One has been the theme boards which they have done almost since the show began, and the other is how they bring out certain very tricky categories in certain tournaments to, how shall I put it, torture the players who come back. In this part of the celebration, I will deal with the theme board.

Now as any long term fan of the show knows, the writers did not make the theme of Wednesday’s board based on Taylor Swift because they are all Taylor Swift fans. (They might be but that’s not relevant.) They did it because the theme board on Jeopardy is frequently built on pop culture. Over the past decade they have done boards that have categories relating to Game Of  Thrones, the 100 greatest Movie Quotes according to AFI, 1990s Rock & Roll Hits, Oscar Nominated Films (usually based on the year) and even The Brady Bunch. (Sort of: GRIEG, PETER, BOBBY SIN.D JAN. and MARTIANS!MARTIANS! MARTIANS.) 

The thing is to just decide to create a board with a theme is easy enough. You then have to come up with clues that fit it. And that is the show’s genius. I could give countless examples of this but I think the best example has been in the Ultimate Tournament of Champions in 2005.

For one thing, that tournament involved 76 games and was one of the longest special tournaments in the show’s history. Just as important was the fact that, since all of the contestants were going to be returning champions, the writer’s had to make them more difficult than they might end up being for an average contestant. In both cases, they succeeded admirably.

The first one occurred in the Jeopardy of the fifth quarterfinal match: ROCK GROUPS, THE MAMAS AND THE PAPAS, KANSAS, THE STONES, GUNS N’ROSES and U2. U2, it’s worth noting had come up before; it meant 2 U’s were in each correct response.

GUNS N’ROSES showed the writers versatility; a clue about the Gatling Gun was followed by one referred to Rose Fitzgerald Kennedy. And some of the clues managed to crack up not only the audience but Alex. The best one came in ROCK GROUPS:

“Bon Scott of this hard rock group was rejected by the Australian army as ‘socially maladjusted.” (What is AC/DC?) I’m not sure whether Alex was amused about who it reflected more on: Bon Scott or the Australian Army.

A little more than a week later, the next theme board came up in the Double Jeopardy round: DESPERATE HOUSEWIVES, WITHOUT A TRACE, CSI, ACCORDING TO JIM, ‘COLD’ CASE and HIT TV. In CSI, they went through some of the methods that CSIs use in real life. In WITHOUT A TRACE, they talked about some famous people who just vanished off the face of the Earth, as you’d expect Jimmy Hoffa was one of them. And the DESPERATE HOUSEWIVES category had more to do with housewife being desperate for more benign reasons than the soap opera; answers has to do with the Microwave oven, Avon and Weight Watchers.

Two weeks we got a different kind of theme board in DOUBLE JEOPARDY, one that might have been hinting at the difficulties of the tournament: PARTICLE PHYSICS, LET’S VISIT PALAU, JAMIE FOXX ROLES, AFRICAN CUISINE, LATIN LEGAL TERMS & ONE LAST ‘EZ’ CATEGORY. The writers were no doubt tweaking the contestants for this tournament as to just how much they’d studied and whether they’d studied these categories. (For the record, the three contestants were only stumped by two of these clues.)

The following week, the theme in the Jeopardy round was obvious. THE NEWSPAPER, THE SPORTS PAGE, THE BOOK REVIEW, THE FOOD SECTION, THE PERSONALS, and THE ‘C’ROSSWORD PUZZLE. The last category was a rewording of a common category CROSSWORD CLUES ‘C’.

About a week and a half later they got even more focused in Double Jeopardy: THE ORCHESTRA, AROUND THE HORN, SYMBOLS, THE VIOLENCES, PLAYING THE BUFFOON and ‘P AN ‘O’s. In the latter category, you needed a two word response, the first word starting with P, the second with O. The AROUND THE HORN category dealt with Cape Horn in Africa, and it was almost verbatim repeated earlier this year. Some of these clues were very tricky; Tom Nichols and Chacko George, two of the players each made four mistakes. Here are a few:

THE ORCHESTRA $2000: “A gold ‘concert grand pedal’ one of these instruments from Lyon and Healy costs $42,000.” Chacko thought it was a piano, Tom knew it was a harp.

SYMBOLS for $800: ‘The long symbolic history of the pentacle includes representing Jesus’ five of these.” When Tom said nails, he was ruled incorrect. They wanted wounds or stigmata.

THE VIOLENCE, $1600: “In World War II he headed the Gestapo in Lyons, France; in January 1983, he was arrested in South America.” Chacko thought it was Goebbels, Tom knew it was Klaus Barbie.

I mention this because at the time I was a skilled Jeopardy watcher and I didn’t know any of these three clues.

Three days later we got a different kind of theme board which really showed the Jeopardy writers being inventive: FOUND IN SPACE, CANADIAN IDOL ‘MISSION’ POSSIBLE, WILL & DISGRACE, THAT’S CREDIBLE and WISCONSIN 3-0.

WILL & DISGRACE had to due with some of the truly awful behavior that we can Shakespeare was capable of, ending in violence or death. The Daily Double will prove that:

“Demetrius & Charon rape and mutilate Lavinia; this general, her dad, bakes them in a pie that he serves their mom.” This clue refers to the very early tragedy Titus Andronicus.

And in what might have coincidence, the last theme board of the first round also dealt with the Bard and showed just how far the writers could go:

SHAKESPEAREAN WORDPLAY, THE MERCHANT OF TENNIS, AS YOU ‘IKE’ IT, THE COMEDY OF ERAS, McHENRY THE FORT, PART I and ALL’S WHALE THAT ENDS WHALE. Is it possible Jeopardy invented the dad joke? Maybe not: all of these are way too smart.

Most of these categories are self-explanatory but COMEDY OF ERAS, you had to name the comedian. An example you might know: 1990s “You might be a redneck if your family tree does not fork.” Who is Jeff Foxworthy?

In the second round the gameplay got more serious, but the theme boards didn’t go away. In the Jeopardy round of the fifth game we had a clear theme: CHICAGO, CAB ARRAY, MOO-VIN’ OUT, FAN TOM, AVENUE ‘Q’ and WE’RE TALKING BROADWAY.

FAN TOM, for those who might not guess, dealt with famous Tom or Thomases and things or people they were fans of. $800: “This Jude The Obscure author admired Browning but was said to be too shy to meet him” Who is Thomas Hardy?”

Two games later we got another, slightly more obscure theme board: THE BIG BAND ERA, STARDUST, TUXEDO JUNCTION, SOUTH OF THE BORDER, DEEP PURPLE and TAKE THE ‘A’ TRAIN. Sean Ryan, who selected the first clue, clearly got the references: ‘I’m an Ellington sucker. TAKE THE ‘A’ TRAIN.

This involved a lot of creativity. TUXEDO JUNCTION involved places involved formal dress. SOUTH OF THE BORDER meant they gave you a country and named the neighbor on its southernmost border. STARDUST actually came up a few months ago basically repeated verbatim and Sean, who found it, had no more luck getting in than the contestant nearly eighteen years earlier:

“A faint constellation in the northern sky, Camelopardalis represents this animal.” It was not until Ken revealed that the combination of camel and leopard was meant to refer to a giraffe, something that had puzzled me for nearly eighteen years.

There was only one theme board in the quarterfinal match and in this case, it was a throwback. Anyone who remembers Cheers remembers when Cliff Clavin appeared on the show. Pam Mueller, Phil Yellman and Brian Moore were the ones who finally got to deal with the categories in Double Jeopardy:

CIVIL SERVANTS, STAMPS AROUND THE WORLD, MOTHERS & SONS, BEER, ‘BAR’ TRIVIA and CELIBACY.

Now I’m guessing the Jeopardy fan wants to know how the show handled the last category. In fact it was how that category played out that was critical to how Double Jeopardy.

It had been a close game much of the round and Pam found the last Daily Double with it almost over. At the time she had $12,800 when she found it in CELIBACY:

“This 20th Century leader wrote, “For me the observance of…Brahmacharya has been full of difficulties.” She knew it was Gandhi and went up to $14,800” which gave her the lead.

Her opponents then made costly errors in that same category.

“These 12th century councils named for a Roman palace declared priestly marriages invalid.” Phil thought they were the Councils of Trent and lost $2000. It was the Lateran Councils. (I hadn’t heard of them either.)

“This adjective for one celibate type of life comes for the Greek for ‘alone’

Phil thought it was solipsistic. Brian thought it was ascetic. It was actually monastic. It cost each of them $800. I guess these guys didn’t know enough about celibacy.

Pam would eventually win the game and her performance in the semi-finals has made her a feature in every anniversary tournament since.

The final theme board of the tournament came up in the Jeopardy round of the first game of the final where Ken Jennings had been waiting for Jerome Vered and Brad Rutter. The board was set up in honor to them as Alex said:

THE SMART SET, EGGHEADS, SHEER GENIUS, SHREW-ED. HIGH INTELLIGENCE and ‘BRIL’-LIANT.

For those of you who are curious, EGGHEADS dealt with famous TV and Movie geniuses (Doctor Who was among them) HIGH INTELLIGENCE had to do with intelligence gathering and THE SMART SET was about an influential literary magazine that H.L Mencken edited from 1915 to 1922. It’s worth noting that’s where the Daily Double was and appropriately Ken found it:

“This ex-sailor published early sea plays in the magazine, including The Long Voyage Home”. Ken knew it was Eugene O’Neill.

A theme board by the Jeopardy writers showcases their creativity as well as challenges both the viewer and the contestant. But as someone who has watched many tournaments over the years, I have noticed that every time some of these tournaments come along the writers decided to have a different sort of fun – the kind the champions might not appreciate but by this point should have come to expect.

I will deal with that in the second part of this article.

 

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