Since it's been going on three
years since the second season ended I think I need to remind some of my
readers: I think Euphoria is by far the most overrated series on TV
today.
To simply call it an exercise in
style over substance is to speak in euphemisms, when you consider the style is
for all the fancy narration and cinematography purely an act in gross
exaggeration and sexual exploitation. In the few episodes I've been able to
stomach watching over the years it genuinely seems like creator Sam Levenson
has decided to take all of the exaggerations conservatives and Fox News have
been saying about liberal Hollywood in the 21st century not only literally
but to exponentially increase them for a single television.
Because Euphoria is a
series that doesn't even bother to hide that it using the guise of growing up
as a teenager to essentially engage in every kind of exploitation of young
adults. Ten years ago HBO wouldn't have touched this series with a ten-foot
pole and I've honestly seen shows on Cinemax that had better storylines and far
less nudity. That so many critics and viewers – to say nothing of the Emmys –
have decided that this is the kind of drama worthy of being recognized along
side Better Call Saul, Yellowjackets and The Crown is their most
recent demonstration of their inability to recognize what is genuine art from
what is an exercise in style. The fact that Levenson's follow up project The
Idol was torn apart so thoroughly that it was cancelled before the first
season even finished demonstrates that there are limits to how far
television will take things.
I truly believe that every aspect
of Hollywood and its surrounding aura of Euphoria is only possible
because of the 2016 election. I really believe that this series more than any
other film or TV series is basically an argument by the industry just to show
how accepting they are of such things involving sexuality, gender and race in
the face of everything they believe MAGA stands for. In the Obama era it would
have been dismissed as pure pornography with no real plot and Levenson would
have been accused of exploiting his performers much the way those rumors did
surface during the filming of The Idol. It is the biggest possible
middle finger to what the notoriously left-wing industry has ever yet held in
front of the conservative, religious right. The Deuce, which aired its
entire series before Euphoria aired its first season was far most tasteful
and measured when it dealt with pornography directly then Euphoria does
while claiming to be art. It is the biggest argument Hollywood says to its
audience that it is purely and totally accepting of the youth of America's choices.
And that makes the recent reaction to one of its stars all the more ironic –
though hardly surprising.
I've occasionally argued in other
pieces that the main difference between extremists on the far left and those on
the far right is that the latter has a far easier time identifying its villains
and enemies then the far left has. Sadly it is far easier to do so when your
'enemies' are a different race or gender or different sexual preference then those
who make up your followers.
The left's enemies have always been
institutions and they have a maximalist view of all of them. It is not just the
visible face or figurehead that is the problem; it is the rank and file that is
part of them and this is most clear when it comes to politics. They are
clearest on this when it comes to red states, believing with every fiber of
their being that every single citizen of Tennessee or Utah or Kansas is a
full-blow MAGA extremist unworthy of support or sympathy, even though they have
been exploited far more than the citizens of blue states by the Republicans
they elect. Never mind how many votes a Democratic candidate gets for Senate or
Congress or President in every election year; never mind that their newsletters
will regular report on the outrages that so many minorities or women or members
of the LGBTQ+ community are suffering in deep red states. Ironically
considering how they view gender and sexuality as fluid concepts, when it comes
to states and the voters within them, they see them as a binary decision. A
state that votes Republican only has Republicans in it, therefore it deserves
no sympathy from the enlightened progressive.
There is also the added irony
that for a generation that believes that gender and sexual preference are only
the business of the individual and not the state, they openly believe ones political
preference – which is a private matter and is held secret by the ballot box
- is something that the entire country
and the world absolutely has a right to know so that you can be identified and
therefore shunned. Similarly they are convinced that the conservative movement
and the Republican Party are far less significant then their numbers no matter
how many elections that prove otherwise. You'd think last year would have finally
made it clear that there are more Republicans in the country than the
progressives would have convinced themselves over the past twenty years.
Instead they have not only
doubled down but seem more convinced to find out which one of them walk among us,
no doubt to brand them with a scarlet 'R'. And that brings me to Sydney
Sweeney.
Regardless of how much I loathe Euphoria
I have refrained judgment on the actors in their other work during that
same period. That is true of Sweeney. Her work in the first season of The
White Lotus showed range that her performance in Euphoria never did
and I thought she was robbed of an nomination for her work in the HBO TV movie Reality
in 2023. She has had a certain amount of success in film over the last few
years, most recently in the films Anyone But You and Immaculate. She
also demonstrated superb work in earlier projects such as Alice in Sharp
Objects. More than any other cast member I'm not inclined to hold her work
in Euphoria against her.
I also think that one's political
affiliation, along with sexual orientation, race or gender, should have no
effect on viewing them as an artist. And just like all the others I truly believe
how you vote or your political views should not have an effect on your day and should be kept private. The left, as we
all know, doesn't feel the same way and never has.
I truly believe that if the
search of the Florida registry had just revealed Sweeney was a registered
Democrat, the same people who are condemning 'the message' in her ads of
American Eagle Jeans would be celebrating it and the far right would be giving
another example of how business is exploiting sexuality. Instead because Sweeney
is apparently a Republican we've been treated to 'think-pieces' about how this
ad is apparently a cover for eugenics and how American Eagle is a conservative industry
designed to take over the world. I'll acknowledge Trump didn't help the matter
what bit but for once I don't blame him for talking about it. Hollywood has
spent the last decade so uniformly opposing him and this is particularly true
with the younger generation that he must have gob-smacked to learn one of the
stars of Euphoria had decided to register as a Republican – and might
even have voted for him last year.
I say 'might' because all we know
is that Sweeney is registered in Florida as a Republican. That only means that
she can vote in Republican primaries in the state of Florida rather than
Democratic ones. For all we know she was registered so she could vote for Nikki
Haley last year, not that would have made much of a difference.
I'm registered as a Democrat but
that has not stopped me from voting for Republicans in state elections or
indeed for third party candidates. For all we know Sweeney voted for Harris in
the general like every good Hollywood liberal claims to have done. And she is
relatively young. Maybe she hasn't had enough time to think about the decision
clearly. Perhaps when she gets old enough and comes to her sense she'll make an
informed decision.
Am I baiting some people who will
read this article and take the wrong message? Yes. But I do find it ironic that
the same people who think that sexuality and gender are something that can
fluctuate through one's entire life really do believe that the same is true
when you register to vote. I also find it hysterical that these same people
have had no problem with all of the sexual scenes that Sweeney has filmed
throughout her career but voting
Republican is the bridge they can't cross with her.
I can just imagine so many Euphoria
viewers bursting into tears: "I thought I knew her all this time!"
"Is she sure about this choice?" "I invited her into my
home!" Why? Sweeney's exactly the
same as she was before you knew about this – and despite all the fear-stoking
the Democrats are doing, it's not like she'll be able to vote for Trump in
three years' time.
And it's not like she's gone to
Republican fundraisers the same way all the good Democratic celebrities have
been doing all this time or campaigning for Republican officeholders. Hell, she
hasn't even said if she supports most of it what the current administration is
doing. Not that you bothered to ask her, of course.
No those inclusive and enlightened
people on the left did what they always did and started to publicly shame her.
And even when people claimed that this might be overkill – Stephen Colbert said
as much on a recent Late Show –
they turned on him for defending her. No wonder Sweeney has done everything in
her power not to talk about it; she knows probably better than most how little
the left truly wants to listen to dissent.
Euphoria is filming its third – and what
is supposedly going to be its final season as we speak. It is scheduled to air sometime
in 2026. I have no intention of watching it and I will be glad when it is gone
from HBO for good. The only thing I am curious about is how Sweeney's political
identification might affect the show's overall opinion with its fans in that
final season. Will they move to the hate-watching circle? Will they review bomb
it the way so many devoted far right viewers will do with The Last of Us? Will
they have moved on from the 'scandal' altogether by then? For the record I
think the last is unlikely.
What I will be interested in is
Sweeney's career going forward. She's not even 28 yet which would seem to indicate
a big career and considering she is the youngest actor who has 'come out'
as a Republican, She already has the
potential to be a formidable actress both in film and television in the years
and decades to come.
And with Hollywood clearly at a
crossroads and dealing with financial peril, it can't afford to isolate
potential stars the way it once did. And with Trump's presence in politics finally
nearing its inevitable conclusion the industry is going to have to see if it
can move on to deal with this new world. In that sense how they treat Sweeney
going forward will be a test case for them.
We will have to wait and see. For
all that, there is one last irony of this to consider: given all of the exploitation
that is present in Euphoria and the difficult roles she's already
played, it is her registration as a Republican that Hollywood may consider when
they refer to her as 'controversial' and that may make her 'difficult'. Considering
that I believe the series only exists to demonstrate 'acceptance', how they
deal with Sweeney will show how tolerant they truly are.
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